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Published by Film at Lincoln Center

“I am innocent because I am innocent”

Righteous outlaw: The Goldman Case is a brilliant example of a courtroom drama that eschews familiar tropes, placing an individual subject into the context of a larger, historical subject in scrupulously open-ended fashion
Read J. Hoberman's Essay

The Film Comment Podcast: Locarno 2024

Rhythm of the night: critics and programmers Inney Prakash and Cici Peng join to discuss highlights from this year's festival, including films by Maxime Jean-Baptiste, Hong Sangsoo, Wang Bing, and more
Listen to the conversation

The Rebel’s Cinema: Frantz Fanon on Screen

Radical specters: the cinema has found a rich repository of inspiration, images, and ideas in the life and work of the anti-colonial writer and revolutionary
Read Adam Shatz's Essay

Prison Movie Wives’ Black Heart Movie Diary

By Sara Kielly
Screen time: incarcerated writer Sara Kielly offers a snapshot of a weekend’s worth of movie-watching at New York State’s Bedford Hills Correctional Facility

The Film Comment Podcast: Digital Migrations

Flying home: filmmaker Suneil Sanzgiri and writer and programmer Greg de Cuir Jr. delve into the ways in which digital media represents and responds to colonialism, diaspora, and violence

Sell Out: Locarno 2024

By Devika Girish
Buy now, pay later: at this year's festival, films by Radu Jude, Courtney Stephens, and Wang Bing explored advertisements, infomercials, and the lives of factory workers in an attempt to pull back the veil of the market

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Features

That Summer Feeling

By Beatrice Loayza
Island time: from the vacation antics of Adieu Philippine to the subtly anti-colonial comedy of The Castaways of Turtle Island Jacques Rozier’s films offer a crucial meditation on the possibilities and limitations of killing time

Reviews

Tweet Tweet

By Saffron Maeve
Bird in the hand: in Tilmann Singer’s new alpine horror flick Cuckoo, an onslaught of contrived plot twists and uneven performances undermine an ambitious pastiche of genre tropes

Features

Under Cover of Darkness

By Jamie Aylward
Behind closed doors: a new exhibition by Albert Serra at Amsterdam’s Eye Filmmuseum, based on the director’s 2019 feature Liberté, revels in Serra’s career-long interest in what happens at night

Features

The Owl’s Legacy

By Max Goldberg
Look both ways: three new publications of Chris Marker’s texts expand our understanding of him as a multimodal artist, as attentive to the formal qualities of cinema as to matters of prose, graphic design, and civic issues

Podcast

The Film Comment Podcast: Jonathan Rosenbaum on In Dreams Begin Responsibilities

By Film Comment
Future past: the renowned critic discusses his new book, a career spanning collection of writing on film, music, and literature

Interviews

Interview: Tomoko Tabata on Shinji Sômai’s Moving

By Daniel Eagan
Early start: the renowned Japanese actress discusses her 1993 debut in a landmark film by director Shinji Sômai