Framed: Kelly Reichardt, Kent Jones, and Lucio Castro join from NYFF63 to discuss the temporality of cinema versus the other arts, the challenge of being a working artist, and more
Reversing injustice: the filmmaker discusses her new documentary, which uses police body-cam footage to capture the events that culminated in the murder of a Black mother by her white neighbor
By Clinton Krute Paint work: Kelly Reichardt‘s The Mastermind is fun and funny, but it also just might be her most chilling portrait of America to date
The Film Comment Podcast: NYFF63 Festival Report
Signed, sealed, delivered: critics Molly Haskell, J. Hoberman, and Beatrice Loayza join for a spirited wrap-up analysis of the highlights and lowlights from this year's lineup
By Shonni Enelow Refusing the waves: Milagros Mumenthaler’s The Currents and Mascha Schilinski’s Sound of Falling revive the image of the self-drowned woman with a bracing literalism
Unchained: Ramesh Sippy’s swashbuckling 1975 epic mashes together tropes from westerns, dacoit films, silent comedies, and musicals to create an entirely unique cult classic
Simultaneous dimensions: three films at this year’s NYFF made by or about Palestinians pry open apertures from which we must make sense of Gaza’s horizon as intimately tied to our own
