Published by Film Society of Lincoln Center

The Film Comment Podcast: Claire Denis and Robert Pattinson

Primal scene: the filmmaker and her star sit down to discuss their remarkable new film High Life
Listen to the conversation

Surface Funk: On Manny Farber

Burrowing in: the director of Certain Women reflects on the abiding influence of Farber's writing and “termite art”
Read Kelly Reichardt's essay

Myth Maker: Francis Ford Coppola

An appreciation of FSLC’s 2002 Chaplin Award Gala honoree, the great conductor of American cinema
Read Kent Jones's Essay

News to Me: Béla Tarr, Věra Chytilová, and Seymour Cassel

The face I dreamt of: Her Smell, Oliver Reed, and guides to the streaming boom
Read our weekly curated roundup

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News

News to Me: Béla Tarr, Věra Chytilová, and Seymour Cassel

By Film Comment
The face I dreamt of: Her Smell, Oliver Reed, and guides to the streaming boom

Inspired

Surface Funk: On Manny Farber

By Kelly Reichardt
Burrowing in: the director of Certain Women reflects on the abiding influence of Farber's writing and “termite art”

Interviews

Interview: Miko Revereza

By Jordan Cronk
Running on empty: No Data Plan frames a three-day train journey as a microcosm of the immigrant experience

From the Archive

Myth Maker: Francis Ford Coppola

By Kent Jones
An appreciation of FSLC’s 2002 Chaplin Award Gala honoree, the great conductor of American cinema

Feeling Seen

Feeling Seen: Mi familia

By Carlos Valladares
Learning to see: a reflection on a family's complex relationship with moving images

Podcast

The Film Comment Podcast: Claire Denis and Robert Pattinson

By Nicolas Rapold
Primal scene: the filmmaker and her star sit down to discuss their remarkable new film High Life

Film of the Week

Film of the Week: Long Day’s Journey Into Night

By Jonathan Romney
In dreams: Bi Gan's noir fable abandons narrative transparency in favor of a poetic dream logic

Playlist

Playlist: Ennio Morricone

By Clinton Krute
Sensing a theme: listen to two curated mixes drawn from the composer's expansive body of work

Queer & Now & Then

Queer & Now & Then: 1966

By Michael Koresky
Two of a kind: if looked at through the right queer lens, Bergman's Persona could be among the most penetrating break-up movies ever made