Published by Film Society of Lincoln Center

Film of the Week: My Journey Through French Cinema

Open book: filmmaker and superfan Bertrand Tavernier gives an insightful, free-flowing tour of French auteurs and history
Read Jonathan Romney’s column

Deep Focus: Baby Driver

High-octane: Edgar Wright’s exuberant riff on getaway movies nearly runs itself into the ground
Read Michael Sragow’s article

Edmond Gréville

Channel diving: filmmaker and superfan Bertrand Tavernier pays tribute to a versatile, little-known auteur who worked in France and England
Read Bertrand Tavernier’s article

Review: The Ornithologist

(João Pedro Rodrigues, Portugal/France/
Brazil, Strand Releasing, Opens June 23)
Read Andrew Chan’s review

Current Issue

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Podcast

The Film Comment Podcast: Streaming vs. Theatrical

By Film Comment
Video killed what now? Weighing in on the debate about how and when we get to watch film

Farran Smith Nehme

The Stranger (1967)

By Farran Smith Nehme
Staring at the sea: Luchino Visconti’s rarely screened adaptation of Camus can’t outpace the charisma of its star

Cinema ’67 Revisited

Cinema ’67 Revisited: King of Hearts

By Mark Harris
Mad about you: Philippe de Broca’s anti-war cult classic put the inmates in charge of the asylum

Features

Edmond Gréville

By Bertrand Tavernier, translated by Christina Svendsen
Channel diving: filmmaker and superfan Bertrand Tavernier pays tribute to a versatile, little-known auteur who worked in France and England

Film of the Week

Film of the Week: My Journey Through French Cinema

By Jonathan Romney
Open book: filmmaker and superfan Bertrand Tavernier gives an insightful, free-flowing tour of French auteurs and history

Deep Focus

Deep Focus: Baby Driver

By Michael Sragow
High-octane: Edgar Wright’s exuberant riff on getaway movies nearly runs itself into the ground

Reviews

Review: Beatriz at Dinner

By Violet Lucca
(Miguel Arteta, USA, 
Roadside Attractions, Opens June 9)

TCM Diary

TCM Diary: Roman Springs and Golden Eyes

By Ina Diane Archer
Midlife Gothic: Carson McCullers and Tennessee Williams on the horror of a certain age, as adapted for the big screen

Interviews

Interview: Sofia Coppola

By Nicolas Rapold
Southern hospitality: the director discusses the influences on her latest film, The Beguiled