Let there be light: in the radiant One Fine Morning, Mia Hansen-Løve conveys an auto-fictional tale of grief and new love with disarming and affecting sincerity
By Erika BalsomLife spans: the Scottish artist discusses Berlinale highlight Being in a Place – A Portrait of Margaret Tait, his experimental portrait of the great Orkney filmmaker
The Film Comment Podcast: Michael Cera and Dustin Guy Defa on The Adults
Three’s company: the director and star of Berlinale standout The Adults dig into the ways that performance can reveal and withhold
Let there be light: in the radiant One Fine Morning, Mia Hansen-Løve conveys an auto-fictional tale of grief and new love with disarming and affecting sincerity
Look again: the first film from the Nobel–Prize winning author engages Ernaux’s career-long fascination with photography to tell the story of an disintegrating marriage
Reversal stock: even after a rash of changes, this year's edition still retains the fest’s long-standing commitment to adventurous international art cinema