Web Only

Interview: Andrew Litvack

May 8, 2020

More than words: the subtitler of Godard, Assayas, and others talks about the process in this accompaniment to our May-June 2020 Art and Craft article

A message to our subscribers

By Film Comment

April 28, 2020

An important message to Film Comment subscribers and readers

The Film Comment Podcast: At Home #16

By Nicolas Rapold

April 24, 2020

Into the wild: Devika Girish and Clinton Krute join to discuss Salesman, The Matrix, Hong Sangsoo, and a host of animal-themed selections

Interview: Ra’anan Alexandrowicz

By Nicolas Rapold

April 24, 2020

Shared viewing: the filmmaker’s fascinating new documentary The Viewing Booth uses an ingenious setup for examining and reflecting upon responses to the media

Present Tense: Citizens Band

By Sheila O'Malley

April 24, 2020

Breaker breaker: Jonathan Demme’s 1977 CB-radio comedy spoke to the present moment in all kinds of unexpected ways

Interview: Yervant Gianikian

By Jordan Cronk

April 24, 2020

Soul singer: one half of a filmmaking team pays tribute to his departed partner and collaborator of over four decades

Film of the Week: A White, White Day

By Jonathan Romney

April 23, 2020

Frozen warnings: Hlynur Pálmason’s Icelandic drama is a stark psychological thriller that unpicks its hero’s troubled soul with forensic coolness

Queer & Now & Then: 1964

By Michael Koresky

April 22, 2020

Primal scream: Flaming Creatures, Jack Smith’s spectacle of intense queer desire, is one of the most beautiful of all experimental films

TCM Diary: Marie: A True Story and A World Apart

By Michael Sragow

April 21, 2020

Bursting bubbles: Sissy Spacek and Barbara Hershey star in two exemplary ’80s films about resourceful women standing up for their beliefs

News to Me: John Smith, John Berger, and Jean-Luc Godard

By James Wham

April 20, 2020

Tides of time: film criticism in crisis, Sarah Maldoror, and The Fabulous Baron Munchausen