Published by Film Society of Lincoln Center

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Deep Focus: Baby Driver

By Michael Sragow
June 22, 2017
High-octane: Edgar Wright’s exuberant riff on getaway movies nearly runs itself into the ground

Edmond Gréville

By Bertrand Tavernier, translated by Christina Svendsen
June 22, 2017
Channel diving: filmmaker and superfan Bertrand Tavernier pays tribute to a versatile, little-known auteur who worked in France and England

The Film Comment Podcast: Streaming vs. Theatrical

By Film Comment
June 20, 2017
Video killed what now? Weighing in on the debate about how and when we get to watch film

Interview: Sofia Coppola

By Nicolas Rapold
June 19, 2017
Southern hospitality: the director discusses the influences on her latest film, The Beguiled

Film of the Week: Harmonium

By Jonathan Romney
June 16, 2017
Here’s to old friends: Kôji Fukada’s bruising drama observes a close-knit family dealing with a strange visitor

TCM Diary: Roman Springs and Golden Eyes

By Ina Diane Archer
June 16, 2017
Midlife Gothic: Carson McCullers and Tennessee Williams on the horror of a certain age, as adapted for the big screen

Cinema ’67 Revisited: King of Hearts

By Mark Harris
June 14, 2017
Mad about you: Philippe de Broca’s anti-war cult classic put the inmates in charge of the asylum

The Film Comment Podcast: Movie Addictions

By Film Comment
June 13, 2017
Where were the parents? The films four critics can’t stop watching (for better or worse) and some pseudo-psychological attempts to figure out why

TCM Diary: Raoul Walsh Looks Back

By Steven Mears
June 12, 2017
The good ol’, bad ol’ days: the critical representations of the past in The Strawberry Blonde and They Died with Their Boots On

Film of the Week: Funeral Parade of Roses

By Jonathan Romney
June 9, 2017
Exploding cinema: the unbridled Id of Toshio Matsumoto’s late-Sixties avant-queer freak-out thrives in a new restoration