Published by Film at Lincoln Center

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Queer and Now and Then: 2002

By Michael Koresky
July 17, 2019
Mise en abyme: the exhilaration of Femme Fatale comes from its constant, absolute awareness of sex and identity as performances

The Film Comment Podcast: New Releases 2

By Nicolas Rapold
July 17, 2019
Seeing red: guests Emily Yoshida and Devika Girish discuss The Farewell, Rojo, Ray & Liz, and The Art of Self-Defense

News to Me: Rip Torn, Stanley Kubrick, and Alain Guiraudie

By Film Comment
July 15, 2019
Actors & auteurs: Stanley Kubrick, Juliette Binoche, and PTA as a PA

Festivals: Il Cinema Ritrovato

By Giovanni Vimercati
July 12, 2019
Whose canon?: the festival once again brought to light forgotten, underrated, vanished, or poetically exiled films

Film of the Week: Rojo

By Jonathan Romney
July 12, 2019
Disappearing act: thinking you know where you are with Benjamín Naishtat’s latest can lead you up the wrong path

Present Tense: What Happened Was…

By Sheila O'Malley
July 11, 2019
Alone together: Tom Noonan’s two-hander is an unblinking look at the havoc loneliness can wreak on humans

The Film Comment Podcast: Ari Aster on Midsommar

By Nicolas Rapold
July 10, 2019
All in the family: the filmmaker sits down to talk about his latest, one of the summer’s most anticipated movies

Feeling Seen: Whose Apocalypse Now?

By Phuong Le
July 9, 2019
Adrift in history: much of Apocalypse Now portrays Vietnam as a spectacular but soulless backdrop for moral ruminations

News to Me: Tarantino, Almodóvar, and If….

By Film Comment
July 8, 2019
School’s out: Shelley Duvall, Chernobyl, and Hoberman in ’68

Deep Focus: Spider-Man: Far from Home

By Michael Sragow
July 5, 2019
Class trip: the latest entry in the webslinger saga is a witty and fun leap forward