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News to Me: Paul Thomas Anderson, Spike Lee, and John Sayles

By James Wham
November 18, 2019
Through the looking glass: Vlada Petric, Apichatpong Weerasethakul, and Mati Diop

Film of the Week: Atlantics

By Jonathan Romney
November 14, 2019
Dancer in the dark: Mati Diop’s debut feature is undeniably one of the boldest films of the year, crackling with invention, beauty, and anger

Classified: Whodunits

By April Wolfe
November 14, 2019
One more thing: reassessing a genre that can make a shabby first impression

The Film Comment Podcast: Work and Class in Movies, with John Sayles

By Nicolas Rapold
November 13, 2019
It’s a living: the veteran filmmaker is joined by critic Teo Bugbee for a discussion about depictions of labor on the big screen

Interview: Rodrigo Prieto

By Nicolas Rapold
November 12, 2019
Family affair: the cinematographer on his approach to Scorsese’s The Irishman, a film at once epic and intimate

News to Me: Julie Dash, Terrence Malick, and Korean Cinema

By James Wham
November 12, 2019
On the beach: Luis Ospina, Gustav Deutsch, and Adèle Haenel

Deep Focus: Honey Boy

By Michael Sragow
November 8, 2019
Daddy dearest: Alma Har’el’s debut fiction feature is a wonderful movie with a raw, brilliant script by star Shia LaBeouf

Film of the Week: Marriage Story

By Jonathan Romney
November 7, 2019
Love on the rocks: Noah Baumbach’s latest is witty, reveling in a mischievous sense of fun, and harrowing in its view of spousal difference

Feeling Seen: John Sayles, Bruce Springsteen, and Baby It’s You

By Caden Mark Gardner
November 7, 2019
My hometown: Sayles’s film uses the Boss’s tunes to capture a place and people caught between eras

See This: November Picks

By Film Comment
November 7, 2019
Some new and upcoming films that we feel deserve a little extra attention—brought to you by Warby Parker