Web Only

The ultimate viewing experience: author Stanley Schtinter and critic Erika Balsom join to discuss Schtinter’s new book (and accompanying film program) Last Movies

Seeing is believing: a clinical approach to sound and spacial construction in Jonathan Glazer’s new film, The Zone of Interest, opens up important questions about the ethical implications of aesthetics

Smile through it: Nathan Fielder and Benny Safdie’s new series, The Curse, is a black-comedic minefield of mirrors, especially the metaphorical kind

Here and elsewhere: the philosopher-turned-filmmaker joins for a conversation about the making of his debut film, which explodes conventions of biography and nonfiction for a uniquely collective portrait of trans life

Big plans: the latest from Ridley Scott, trailblazing auteur–turned–late-career journeyman, is an epic biopic of the war-mongering emperor that turns out to be a bit weirder than it initially seems

Perchance to dream: a satire on celebrity and cancel culture, Kristoffer Borgli’s new Nicholas Cage–vehicle, Dream Scenario, treads the thin line between critique and caricature

Gateway art: Inney Prakash joins to discuss this year's Mumbai Film Festival, an oasis for indie cinema in the glitzy homebase of Bollywood

Material history: Dominik Graf discusses his latest documentary, an investigation of the numerous German writers and artists who collaborated (often quietly) with the Nazi regime

How Soon Is Now? The Killer, David Fincher’s latest entry in the canon of cinema du sociopath is a sleek, meticulously assembled film lives up to its punny tagline: “Execution Is Everything.”

Good golly: the multi-hyphenate filmmaker discusses her new documentary on the extraordinary life and times of one of the great American artists