Aesthetics and politics: a new reader from The Visible Press offers a bracing introduction to Afterimage's ever-curious, ever-relevant quest for the contours of a radical cinema
Seeing and speaking: No Master Territories, a new exhibit by Erika Balsom and Hila Peleg, grapples with both the omissions and the abundances of feminist nonfiction filmmaking
The age of gold: a new series spotlights the brave new filmmaking of 1962, '63, and '64, after the wane of the studio era and before the rise of New Hollywood
Flickering myth: at a plein air cinema up in the Greek mountains, cine-pilgrims gather every four years for the ongoing premiere of Gregory Markopoulos's Eniaios
A man escaped: The 36th edition fo the festival featured an eye-opening retrospective of the Hollywood films of Hugo Fregonese along with a wealth of newly restored and rediscovered classics like Franco Rossi’s Smog
Deceiving eyes: this year’s FIDMarseille lineup was dominated by films that blur the lines between documentary and fiction, including A Woman Escapes, We had the day bonsoir, and Aftersun
