Ballad of a thin man: critic Lovia Gyarkye and Film Comment‘s Michael Blair join to discuss James Mangold‘s A Complete Unknown, Robert Eggers‘s Nosferatu, and more
Love less: two of the best scenes of 2024—from Payal Kapadia‘s All We Imagine as Light and Luca Guadagnino’s Queer–depict the push and pull of desire in real time