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The long day closes: Justin Chang, Dennis Lim, and Rachel Rosen offer an overview of the festival that was, and discuss late premieres from Catherine Breillat and Hong Sangsoo

Party’s over: our critics discuss latter-day selections including Alice Rohrwacher’s La chimera, Ken Loach’s The Old Oak, Wim Wenders’s Perfect Days, and more

If dogs run free: Jessica Kiang offers a canine-centric overview of the fest as it approaches its end, sniffing around Aki Kaurismäki’s Fallen Leaves, Rodrigo Moreno’s The Delinquents, and more

Chasing waterfalls: the Argentine filmmaker discusses his new tripartite feature, a festival highlight that seamlessly blends narrative and documentary elements

Sewed up tight: the Cameroonian filmmaker discusses her first narrative feature, a standout selection of this year’s Directors’ Fortnight sidebar

Spotlight: Mark Asch, Miriam Bale, and Kevin B. Lee talk about the theme of performance in Wes Anderson’s Asteroid City, Víctor Erice’s Close Your Eyes, Aki Kaurismäki’s Fallen Leaves, and many more

Mirror mirror: the director of festival standout May December discusses his inspirations, the film’s use of the zoom lens, his thoughts on camp, and more

Double vision: reality isn’t what it's cracked up to be in mid-festival standouts like Jonathan Glazer’s The Zone of Interest, Todd Haynes’s May December, and Justine Triet’s Anatomy of a Fall

Table talk: critics Lovia Gyarkye, Abby Sun, and Kelli Weston join to discuss Martin Scorsese’s Killers of the Flower Moon, Todd Haynes’s May December, and more

Zone defense: Jonathan Romney and Giovanni Marchini Camia join to discuss Jonathan Glazer’s much-anticipated The Zone of Interest and Lisandro Alonso’s experimental western Eureka