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Dream Baby Dream

By Garon Scott

January 13, 2025

Signed, sealed, delivered: Robert Eggers‘s Nosferatu projects a corrupted self-image of empire

The Film Comment Podcast: New Year, New Releases

By Film Comment

January 8, 2025

Ballad of a thin man: critic Lovia Gyarkye and Film Comment‘s Michael Blair join to discuss James Mangold‘s A Complete Unknown, Robert Eggers‘s Nosferatu, and more

The Inaugural San Quentin Film Festival

By Kevin D. Sawyer

January 7, 2025

Bastille on the Bay: the two-day event held at San Quentin Rehabilitation Center in California involved movies, awards, and Hollywood guests

Prison Movie Wives’ Black Heart Movie Diary: Best of 2024

By Sara Kielly, Courtney McDonell, and Jessica Sims

January 6, 2025

For old acquaintance: three incarcerated critics review the best films they saw this year

The Best Shorts of 2024

By Inney Prakash

December 20, 2024

The long and short of it: the strongest, strangest, and boldest shorter films of 2024

The Best Restorations of 2024

By Gina Telaroli

December 20, 2024

In with the old: the best restorations, preservations, reprints, and remasters of 2024

Singular Scenes of the Year

By Amy Taubin

December 20, 2024

Love less: two of the best scenes of 2024—from Payal Kapadia‘s All We Imagine as Light and Luca Guadagnino’s Queer–depict the push and pull of desire in real time