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ND/NF Voices: Honeyland, Joy, End of the Century

By Naomi Keenan O'Shea

March 27, 2019

Three's company: the filmmakers behind standouts from ND/NF chat about their films

Interview: Mark Jenkin

By Chloe Lizotte

March 27, 2019

Fresh catch: the rough-hewn Bait keenly portrays a displaced and reconfigured working-class community in coastal Britain

Review: Us

By Ina Diane Archer

March 26, 2019

Return of the repressed: Jordan Peele's latest throws the audience into a house of mirrors

TCM Diary: The Decks Ran Red

By Justin Stewart

March 26, 2019

Red skies at dawn: Dorothy Dandridge and James Mason star in a tale of bloody mutiny on the high seas

News to Me: Larry Cohen, Wong Kar-wai, and the Criterion Channel

By Film Comment

March 25, 2019

The stuff of nightmare: Scott Walker, Wang Bing, and infrastructure week

Review: Pain and Glory

By Manu Yáñez Murillo

March 22, 2019

Time regained: Almodóvar’s latest is a heart-rending, meditative, and deeply confessional culmination of his prolonged immersion in the waters of autofiction

Film of the Week: Dragged Across Concrete

By Jonathan Romney

March 22, 2019

The thin blue line: S. Craig Zahler’s brutally violent cop film surfaces uncomfortable questions about racism, power, and complicity

Interview: Jerry Schatzberg

By Christina Newland

March 21, 2019

Parklife: the director of Panic in Needle Park and Scarecrow on his long career depicting the emotional lives of those on the margins

The Film Comment Podcast: High Life and Beyond

By Nicolas Rapold

March 20, 2019

Blast off: Nick Pinkerton and Madeline Whittle guest for a deep space exploration of Claire Denis's latest and how it fits into her body of work

Interview: Sofia Bohdanowicz & Deragh Campbell

By Jordan Cronk

March 19, 2019

It's relative: the directors of MS Slavic 7 on the use of biography and the strange experience of playing a version of your director on screen