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Deep Focus: Maudie and Stefan Zweig: Farewell to Europe

By Michael Sragow
June 29, 2017
Lives of the artists: two nuanced, female-directed biopics speak to the transformative power of art

Cinema ’67 Revisited: The Dirty Dozen

By Mark Harris
June 28, 2017
Angels with dirty faces: Vietnam commentary by way of that notorious motley crew on a wartime suicide mission

The Film Comment Podcast: Bad Scenes in Good Movies, Good Scenes in Bad Movies

By Film Comment
June 27, 2017
Diamonds in the rough, thorns amid the roses: our critics explore films of inconsistent quality

Film of the Week: My Journey Through French Cinema

By Jonathan Romney
June 23, 2017
Open book: filmmaker and superfan Bertrand Tavernier gives an insightful, free-flowing tour of French auteurs and history

Deep Focus: Baby Driver

By Michael Sragow
June 22, 2017
High-octane: Edgar Wright’s exuberant riff on getaway movies nearly runs itself into the ground

Edmond Gréville

By Bertrand Tavernier, translated by Christina Svendsen
June 22, 2017
Channel diving: filmmaker and superfan Bertrand Tavernier pays tribute to a versatile, little-known auteur who worked in France and England

The Film Comment Podcast: Streaming vs. Theatrical

By Film Comment
June 20, 2017
Video killed what now? Weighing in on the debate about how and when we get to watch film

Interview: Sofia Coppola

By Nicolas Rapold
June 19, 2017
Southern hospitality: the director discusses the influences on her latest film, The Beguiled

TCM Diary: Roman Springs and Golden Eyes

By Ina Diane Archer
June 16, 2017
Midlife Gothic: Carson McCullers and Tennessee Williams on the horror of a certain age, as adapted for the big screen

Cinema ’67 Revisited: King of Hearts

By Mark Harris
June 14, 2017
Mad about you: Philippe de Broca’s anti-war cult classic put the inmates in charge of the asylum