Published by Film at Lincoln Center

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Queer & Now & Then: 1977 and 2020

By Michael Koresky
February 12, 2020
Fabulous fascists: that there have been more gay Nazis than gay victims of Nazis on-screen is evidence of our culture’s entrenched homophobia

The Film Comment Podcast: Actors Of Color

By Nicolas Rapold
February 12, 2020
Industrial strength: our all-star critics panel celebrates the craft of our favorite performers of color from cinema past and present

Interview: Robert Richardson

By C. Mason Wells
February 10, 2020
Shine a light: the veteran cinematographer discusses his work with Scorsese, Tarantino, Stone, and others

News to Me: Pedro Almodóvar, Angela Schanelec, and the Oscars

By James Wham
February 10, 2020
Shiny objects: F.X. Feeney, box office bingo, and Adam Sandler

Classified: Writing Black Christmas

By April Wolfe
February 7, 2020
Be kind, rewind: the writer of the horror remake on why the best retreads must make the case for their existence in the here and now

Film of the Week: Birds of Prey

By Jonathan Romney
February 7, 2020
Goof troop: the Margot Robbie vehicle serves up the kind of joke-shop bubblegum that comes spiked with hot chili

Present Tense: Nick Nolte

By Sheila O'Malley
February 6, 2020
Turbulence ahead: there is nothing comforting about Nolte’s characters, men tormented by pain so deep it can’t be acknowledged

See This: February Picks

By Film Comment
February 6, 2020
Some recent and upcoming films that we feel deserve a little extra attention—brought to you by Warby Parker

Interview: Julia Reichert and Steven Bognar

By Eric Hynes
February 5, 2020
Working class heroes: the directors of the Oscar-nominated American Factory on how class and labor shape and inform us as people

The Film Comment Podcast: Sundance 2020 #7

By Nicolas Rapold
February 5, 2020
Grand slam: Manohla Dargis and Amy Taubin join for our Sundance wrap-up to discuss Minari, On the Record, Never Rarely Sometimes Always, and more