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Interview: Arthur Jafa

By Cassie da Costa
May 8, 2017
Radical expressions: the director of Dreams are Colder than Death and Love Is the Message and renowned cinematographer of Daughters of the Dust discusses his process

Interview: Tizza Covi

By Nick Pinkerton
May 5, 2017
High-wire act: the co-director of Mister Universo discusses her hybrid fiction approach and the circus of cinema

Film of the Week: A Woman’s Life

By Jonathan Romney
May 4, 2017
19th-century women: in Stéphane Brizé’s unsparing adaptation of Maupassant’s novel, a creeping loss of agency seems to unfold in real time

Deep Focus: Guardians of the Galaxy, Vol. 2

By Michael Sragow
May 4, 2017
No more goofing around: James Gunn's sequel tries for pathos and loses that wacky intergalactic charm

Interview: Frank Vitale & Stephen Lack

By Nick Pinkerton
May 3, 2017
Nothing to lose: two seminal figures in Montreal's independent cinema scene chat about their films and the changing city

Interview: Ana Lily Amirpour

By Nicolas Rapold
May 3, 2017
Flyover country: the director of The Bad Batch discusses the inspiration for her rough-and-ready misfits

Interview: Davi Pretto

By Jordan Cronk
May 3, 2017
Regional vocabularies: the Brazilian director of Rifle discusses his semi-fictionalized approach to politics and trauma

The Film Comment Podcast: Movie Gifts

By Film Comment
May 2, 2017
Happy birthday, Film Comment! A quartet of critics give each other films they’ve never seen before

TCM Diary: Danielle Darrieux

By Steven Mears
May 1, 2017
Luxury import: on the French star's 100th birthday, a look back at her range from finely etched portrayals to klutzy antics

Art of the Real: Andrea Tonacci

By Ela Bittencourt
May 1, 2017
No boundaries: the late director helped define Brazil's underground film movement by breaking (and mocking) the fourth wall