Remain in light: on Jean-Luc Godard’s The Image Book, Jia Zhangke’s Ash Is Purest White, Pawel Pawlikowski’s Cold War, and Gabriel Abrantes and Daniel Schmidt’s Diamantino
Finding yourself: with the misanthropy of 2017’s edition looming over this year’s selection, two critics discuss Jaime Rosales’s Petra, Ciro Guerra and Cristina Gallego’s Birds of Passage, Ali Abbasi’s Border, and Paul Dano’s Wildlife
