Amy Taubin

Little women: Céline Sciamma's Petite Maman is an elliptical, dreamlike fable about the intergenerational intimacies of women

One of cinema’s primary colors, filmmaker Michael Snow remembers a rambunctious screening of a foundational work in New York

Two new box sets finally bring to light the remarkable work of early women filmmakers

One day at a time: the filmmaker on her standout Sundance doc Time, which follows a woman’s tireless efforts to get her husband released from prison

Here’s looking at you: the director of Portrait of a Lady on Fire on the path of love and restoring lost histories

Bong Joon-ho’s tour de force Parasite, a highlight of NYFF57, is part twisty social thriller, part heart-stopping tragicomedy

Read an excerpt from an forthcoming interview with the director of Portrait of a Lady on Fire, one of the most anticipated films of the year

Risky business: the director and screenwriter behind Give Me Liberty on the difficult process of bringing their vision to the screen

Matters of love and war fueled a beguiling and trenchant selection this year at Cannes

The man upstairs: after roughly 55 years, the filmmaker has completed work on his legendary ode to Ferry Street

Eternal return: the director of Cannes-opener The Dead Don’t Die on his postmodern zombie flick

High spirits: a handful of exciting documentaries enlivened this year‘s festival

Read Taubin's take on Honeyland, screening this week at New Directors/New Films, among other festival standouts

Something wicked: a contemporary fairy tale draws out the darkness of a twisted mother/daughter bond

Ecstasy and extraterrestrials: Slamdance surprises with a coming-of-age story and an alien invasion

Burden of responsibility: the Oscar-shortlisted Polish filmmaker talks about capturing the complex family dynamics for a girl thrust into the role of caretaker

Jean-Luc Godard’s The Image Book has arrived in all its compendious, homemade splendor. Right-hand man Fabrice Aragno explains how it came to be

Willem Dafoe on his Oscar-nominated performance as Vincent Van Gogh in At Eternity’s Gate

(Antonio Méndez Esparza, Spain/USA, CFI Releasing, Opening October 24)

Doubling as director and cinematographer, Reed Morano gets to the heart of the matter