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Chasing waterfalls: the Argentine filmmaker discusses his new tripartite feature, a festival highlight that seamlessly blends narrative and documentary elements

Sewed up tight: the Cameroonian filmmaker discusses her first narrative feature, a standout selection of this year’s Directors’ Fortnight sidebar

Spotlight: Mark Asch, Miriam Bale, and Kevin B. Lee talk about the theme of performance in Wes Anderson’s Asteroid City, Víctor Erice’s Close Your Eyes, Aki Kaurismäki’s Fallen Leaves, and many more

Mirror mirror: the director of festival standout May December discusses his inspirations, the film’s use of the zoom lens, his thoughts on camp, and more

Double vision: reality isn’t what it's cracked up to be in mid-festival standouts like Jonathan Glazer’s The Zone of Interest, Todd Haynes’s May December, and Justine Triet’s Anatomy of a Fall

Table talk: critics Lovia Gyarkye, Abby Sun, and Kelli Weston join to discuss Martin Scorsese’s Killers of the Flower Moon, Todd Haynes’s May December, and more

Zone defense: Jonathan Romney and Giovanni Marchini Camia join to discuss Jonathan Glazer’s much-anticipated The Zone of Interest and Lisandro Alonso’s experimental western Eureka

Picture book: this year’s festival kicked off with a swirl of controversy and a dud opening night film, before finding its footing with films like Catherine Corsini’s Homecoming, Cédric Kahn’s The Goldman Case, and others

Historical material: the Oscar-winning director discusses his epic new doc, an early highlight of this year’s festival

Digging in: critics Beatrice Loayza, Inney Prakash, and James Wham join to discuss Hirokazu Kore-eda’s Monster, Wim Wenders’s Anselm, and more