Time was: this raw, no-frills concert documentary leaves a slightly bitter aftertaste, not entirely unlike the vague regret of a Sunday morning coming down
Bridge over troubled water: Hong Sangsoo’s second movie employs a bravura narrative structure that elucidates the solipsistic lives of its protagonists
In the groove: this year’s selection is also notable for its wealth of music, with films from Scorsese to Sciamma employing pop songs as narrative fulcrums
