Time and time again: recent works by Elisabeth Subrin and Zia Anger join a lineage of women’s films that invite us to witness failures and refusal, imbuing them with significance through re-performance
Starting places: critics Erika Balsom and Benjamin Crais join to discuss the undersung filmmaker’s richly heterogenous, and endlessly fascinating, body of work
Into the limelight: in settings both grim and glamorous, Sean Baker's Anora repeatedly shows how despair is the bedrock for the false-front distractions of American kitsch
Body doubles: David Cronenberg's The Shrouds and Pedro Almodóvar's The Room Next Door find both auteurs still playing around the permutations of the flesh, but in a decidedly retrospective mood
Who shall I say is calling? Two NYFF62 standouts, Philippe Lesage’s Who by Fire and Nicolás Pereda’s Lázaro at Night, masterfully play with the slippage between the real and the fictional
The past is present: the 2024 NYFF Revivals section featured films about labor and dreams, including Zeinabu irene Davis’s Compensation, John Hanson and Rob Nilsson’s Northern Lights, and Robert Bresson’s Four Nights of a Dreamer.
That's a wrap: critics Bilge Ebiri and Lovia Gyarkye join Film Comment editors Devika Girish and Clinton Krute for a spirited wrap-up analysis of the highlights and lowlights from this year's lineup
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