Published by Film at Lincoln Center

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Queer & Now & Then: 1967

By Michael Koresky
June 19, 2019
Up close and personal: Frank Simon’s The Queen portrays unashamed gay men inhabiting their own bodies—and clothes—with pride

Labor of Love: In the Aisles, Il Posto, and The Last Black Man in San Francisco

By Imogen Sara Smith
June 18, 2019
Work and play: three films find beauty in the everyday lives of characters struggling to adapt to the modern world

Interview: Malena Szlam

By Dan Sullivan
June 17, 2019
Time after time: Szlam’s ALTIPLANO calls for a revision of how we talk about landscape in cinema.

News to Me: Pauline Kael, Ken Jacobs, and Peter Whitehead

By Film Comment
June 17, 2019
People like you: censorship, critics, and Ava DuVernay

Film of the Week: Give Me Liberty

By Jonathan Romney
June 14, 2019
Democratic vistas: Kirill Mikhanovsky’s film is relentless and exhausting—but it’s also a joyous, tender blast

Ken Jacobs’s The Sky Socialist

By Amy Taubin
June 14, 2019
The man upstairs: after roughly 55 years, the filmmaker has completed work on his legendary ode to Ferry Street

Feeling Seen: Edward Yang’s Yi Yi

By Lawrence Garcia
June 13, 2019
Mirror of nature: how shifting languages and dialects evoke the personal and political in Yang's family epic

Present Tense: Rolling Thunder Revue

By Sheila O'Malley
June 12, 2019
I contain multitudes: on Dylan, Whitman, and Scorsese’s new Rolling Thunder Revue documentary

The Film Comment Podcast: The Rep Report #8

By Nicolas Rapold
June 12, 2019
Keep on pushing: a series at Film Forum looks at works from around the world that moved cinema and politics in new directions

Interview: Bertrand Bonello

By Jordan Cronk
June 11, 2019
Dead or alive: the director of Zombi Child on voodoo, the oneiric, and his use of music