Published by Film Society of Lincoln Center

José Teodoro

Art and Craft: All Is Permitted

By José Teodoro
December 4, 2018

The Turning of the Earth

By José Teodoro
September 10, 2018
Alfonso Cuarón’s richly realized Roma surrounds us with the bourgeois Mexico City of his youth, seen through the eyes of another

Short Take: The Captain

By José Teodoro
July 23, 2018
(Robert Schwentke, Germany/Poland/Portugal/France, Music Box Films, Opening July 27)

Review: A Fantastic Woman

By José Teodoro
February 1, 2018
(Sebastián Lelio, Country/Distributor: Chile/USA/Germany/Spain, Sony Pictures Classics, Opening February 2)

Interview: Lucrecia Martel

By José Teodoro
September 26, 2017
Colony records: Zama, the Argentine filmmaker’s stunning return to film after an eight-year absence, merges the country’s past and present

The State That I Am In

By José Teodoro
November 3, 2016
In Neruda and Jackie, shape-shifting filmmaker Pablo Larraín portrays two national icons through refracted storytelling and unexpected emotion

ND/NF Interview: Federico Veiroj

By José Teodoro
March 15, 2016
Doubts and murmurs: the director of The Apostate talks about his own religious upbringing and the similarities between the Catholic church and NSA

Interview: Trey Edward Shults

By José Teodoro
March 14, 2016
Prodigal mother: the director of Krisha discusses his high-tension family drama and learning by doing with Terrence Malick

Controlling Chaos

By José Teodoro
September 3, 2015
With Sicario, Quebecois director Denis Villeneuve ups the ante on his tales of terror and alienation

Festivals: L’immagine e la parola at Locarno

By José Teodoro
April 13, 2015
Locarno’s spring festival of word and image revives Pawel Pawlikowski’s tag-along with Dostoevsky and celebrates intrepid nonfiction novelist Emmanuel Carrère

Review: Tony Manero

By José Teodoro
March 3, 2015
(Pablo Larraín, Chile, 2008)

Review: Pontypool

By José Teodoro
September 24, 2014
(Bruce McDonald, Canada, 2008)

Review: The Road

By José Teodoro
September 22, 2014
(John Hillcoat, U.S., 2009)

Review: Enemy

By José Teodoro
March 4, 2014
(Denis Villeneuve, Canada/Spain, 2013)

Nothing But Time

By José Teodoro
September 30, 2013
Swiss-Canadian filmmaker Peter Mettler leaps into the fourth dimension with The End of Time, the latest in his series of transcendental travelogues

Festivals: Le Festival des Films du Monde

By José Teodoro
October 1, 2012
The hidden hits of Montreal's World Film Festival

Miss Bala: Nightmare State

By José Teodoro
January 4, 2012
Mexican director Gerardo Naranjo upends his filmmaking to show a country torn apart

Review: The Skin I Live In

By José Teodoro
November 2, 2011
(Pedro Almodóvar, Spain, 2011)

On Heaven as it is in Earth

By José Teodoro
May 26, 2011
Silent Light brings the transcendental metaphysics of Mexican provocateur Carlos Reygadas out into the open

Review: Black Swan

By José Teodoro
April 29, 2011
(Darren Aronofsky, U.S., 2010)