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Light work: the Japanese filmmaker’s tireless curiosity allowed him ever new and different angles from which to tackle questions about the singularity of each cinematic moment

Locked in: Gina Telaroli, Inney Prakash, and Steve Macfarlane join to discuss some highlights from the repertory calendar, including series at Anthology Film Archives, MoMA, and Maysles Documentary Center

Work and play: scholar Kevin B. Lee discusses how labor, pleasure, and the special state of attention that we call cinema

Future days: artist Hito Steyerl talks about maintaining techno-optimism and the distinction between attention and voyeurism

Pushing the limit: Julia Murat, director of the Golden Leopard-winning Rule 34, joins to discuss her boundary-pushing film

Screentime: philosopher Noa Levin and curator Giovanni Carmine join to explore the spaces and infrastructures of attention

Masked and anonymous: a traveling shorts program takes a renegade approach to the legacy and loss of Philippines’s film heritage

In dreams: though heavyweight auteurs turned in commendable work at Locarno 2022, the festival was once again defined by less established talents

Blue in the face: the best films at this year’s Locarno—like Helena Wittman’s Human Flowers of Flesh—invited contemplation rather than mere comprehension

Explosive imagery: in a live talk recorded at Locarno '22, the Palestinian filmmaker joined to discuss the ways in which his work draws attention to the “camera of the dispossessed”