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Stormy skies: Laura Citarella’s uncanny epic, Trenque Lauquen, is not the kind of detective story whose secrets are explained by hard facts; rather, its pleasures are rooted in the very principle of investigation

Child’s play: Ari Aster’s latest living nightmare, Beau Is Afraid, stars Joaquin Phoenix as a stunted, paranoid mama’s boy, caught up in a roller coaster of horrors—and is not quite as interesting as one would hope

Leading lady: Viola Davis, Film at Lincoln Center's 48th Chaplin Awardee, distills the past and present of America in her formidable performances

Out of sight: the recipient of the 48th Chaplin Award discusses the process behind some of her most memorable performances

Resource extraction: the incendiary new Brazilian film Dry Ground Burning is the latest entry in a small canon of lo-fi insurrectionary speculative fables

Animal magnetism: the New York–based artist discusses her latest, a hybrid work of pandemic-inspired autofiction that blurs the boundaries between the authorial “I” and the subjectivities of its fictional characters

A mere game: the great director discusses his newly restored 1988 feature, his long career, and his thoughts on mortality and art

Sculpting time: Kelly Reichardt’s latest, Showing Up, layers questions of time and space, care and concern, in its portrait of art-making

Blast off: This year's edition of the North Carolina festival demonstrated a robust hunger among post-pandemic audiences for challenging experimental film, video, and performance work

Termite art: the director discusses her latest, a wry, poignant look at the life of a Portland artist