Blue in the face: the best films at this year’s Locarno—like Helena Wittman’s Human Flowers of Flesh—invited contemplation rather than mere comprehension
Explosive imagery: in a live talk recorded at Locarno '22, the Palestinian filmmaker joined to discuss the ways in which his work draws attention to the “camera of the dispossessed”
Looking ahead: the German filmmaker talks about her Locarno standout, Human Flowers of Flesh, and the ways in which her practice is rooted in embodied and communal experiences of time and space
Form and function: Kiro Russo’s El gran movimiento weaves together bravura camerawork and a simple story about a mysteriously ill laborer to create a pulsating portrait of La Paz, Bolivia
Aesthetics and politics: a new reader from The Visible Press offers a bracing introduction to Afterimage's ever-curious, ever-relevant quest for the contours of a radical cinema
Seeing and speaking: No Master Territories, a new exhibit by Erika Balsom and Hila Peleg, grapples with both the omissions and the abundances of feminist nonfiction filmmaking
