Pressing on: standouts of the second week of the festival included Pedro Pinho’s I Only Rest in the Storm, Julia Ducournau’s Alpha, and Jafar Panahi’s It Was Just an Accident
National pastimes: as the festival enters its waning days, standout films like Roberto Minervini's The Damned, Carson Lund's Eephus, and Tyler Taormina's Christmas Eve in Miller's Point investigate how we make meaning out of the past
Big plans: the latest from Ridley Scott, trailblazing auteur–turned–late-career journeyman, is an epic biopic of the war-mongering emperor that turns out to be a bit weirder than it initially seems
More please: Arnow’s comedic auto-portrait of a woman adrift in New York City is a moving exploration of romantic and existential indecision, sexual self-expression, humiliation, and the uses of first-person experience in storytelling
Talking past each other: the director of Cannes sensation R.M.N. discusses the timely, timeless, and technical aspects of his politically charged drama.
The Executive Director of arthouse theater The Loft Cinema in Tuscon sat down for our series of conversations with movie world folks about the ongoing crisis
For the next in our our series reaching out to folks in the movie world about the ongoing crisis, we talk to C. Mason Wells, Director of Theatrical Sales at Kino Lorber
For the next in our our series reaching out to folks in the movie world about the ongoing crisis, we talk to Rachel Rosen, director of the San Francisco Film Festival
The air up there: Steven Soderbergh discovers yet another profession whose practitioners’ for-hire physiques stand in for the gig-to-gig economics of his own creative hustle.
