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Mark Asch
The Big Screen: Motherless Brooklyn
By
Mark Asch
November 5, 2019
Edward Norton’s film is not just nostalgic for the New York City it recreates, but fixated on the moment of its loss
Short Takes: The Mountain
By
Mark Asch
July 23, 2019
In his latest, Rick Alverson employs that most frontal of metaphors: the lobotomy
Review: The Juniper Tree
By
Mark Asch
March 14, 2019
Child of nature: an Icelandic fairy tale about a young woman, played by a 20-year-old Björk, conjures a world from the Brothers Grimm
The Big Screen: High Flying Bird
By
Mark Asch
January 28, 2019
The air up there: Steven Soderbergh discovers yet another profession whose practitioners’ for-hire physiques stand in for the gig-to-gig economics of his own creative hustle.
Home Movies: Library Streaming Services
By
Mark Asch
January 2, 2019
(Kanopy & Hoopla Digital)
Review: Bisbee ’17
By
Mark Asch
September 4, 2018
(Robert Greene, USA, 4th Row Films, Opening September 5)
Interview: Lev Kalman and Whitney Horn
By
Mark Asch
June 27, 2018
O, hey, pioneers: the directors of
Two Plains & a Fancy
and
L for Leisure
talk about intermingling old worlds and new
Review: Araby
By
Mark Asch
May 1, 2018
(João Dumans & Affonso Uchoa, Brazil, Grasshopper Film, Opening June 8)
Short Take: Old Stone
By
Mark Asch
November 3, 2016
(Johnny Ma, China/Canada, Opening November 30)
Review: Hors Satan
By
Mark Asch
January 15, 2013
Can you believe it? Bruno Dumont’s latest controlled experiment in faith
Festivals: SXSW 2012
By
Mark Asch
May 3, 2012
Hedging was big at Austin this year—on both sides of the camera