Published by Film at Lincoln Center

Mark Asch

Short Takes: The Mountain

By Mark Asch
July 23, 2019
In his latest, Rick Alverson employs that most frontal of metaphors: the lobotomy

Review: The Juniper Tree

By Mark Asch
March 14, 2019
Child of nature: an Icelandic fairy tale about a young woman, played by a 20-year-old Björk, conjures a world from the Brothers Grimm

The Big Screen: High Flying Bird

By Mark Asch
January 28, 2019
The air up there: Steven Soderbergh discovers yet another profession whose practitioners’ for-hire physiques stand in for the gig-to-gig economics of his own creative hustle.

Home Movies: Library Streaming Services

By Mark Asch
January 2, 2019
(Kanopy & Hoopla Digital)

Review: Bisbee ’17

By Mark Asch
September 4, 2018
(Robert Greene, USA, 4th Row Films, Opening September 5)

Interview: Lev Kalman and Whitney Horn

By Mark Asch
June 27, 2018
O, hey, pioneers: the directors of Two Plains & a Fancy and L for Leisure talk about intermingling old worlds and new

Review: Araby

By Mark Asch
May 1, 2018
(João Dumans & Affonso Uchoa, Brazil, Grasshopper Film, Opening June 8)

Short Take: Old Stone

By Mark Asch
November 3, 2016
(Johnny Ma, China/Canada, Opening November 30)

Review: Hors Satan

By Mark Asch
January 15, 2013
Can you believe it? Bruno Dumont’s latest controlled experiment in faith

Festivals: SXSW 2012

By Mark Asch
May 3, 2012
Hedging was big at Austin this year—on both sides of the camera