Published by Film Society of Lincoln Center

Devika Girish

Sundance Dispatch: Midnight Family & The Infiltrators

By Devika Girish
February 11, 2019
Broken systems: two Sundance films highlight the breakdowns that occur when the public good meets the free market

Sundance Dispatch: Clemency

By Devika Girish
February 4, 2019
Framing the guilty: Chinonye Chukwu’s film features an extraordinary performance by Alfre Woodard as a conflicted prison warden

Sundance Dispatch: America

By Devika Girish
January 31, 2019
Parallel histories: Garrett Bradley's remarkable short interrogates representations of early Black filmmakers

Interview: Jennifer Kent

By Devika Girish
January 30, 2019
Love in dark times: The Nightingale director on bringing together distinct (but connected) narratives of gendered and racist violence

Sundance Dispatch: As Told to G/D Thyself

By Devika Girish
January 29, 2019
Astral traveling: The spirit of Afro-futurism is beautifully embodied in the all-star collective The Ummah Chroma's short film

Review: Cam + People’s Republic of Desire

By Devika Girish
December 4, 2018
Reaching out: in Cam and People’s Republic of Desire bodies are monetized, but at what cost?

Home Movies: AsianCrush

By Devika Girish
November 1, 2018
(A streaming service available on iOS, Android, Roku, AppleTV & more)

Review: Border

By Devika Girish
October 25, 2018
Sixth sense: an outsider learns to search within in Ali Abbasi's emotionally grounded work of fantasy

Me Time

By Devika Girish
September 24, 2018
Burning star Steven Yeun finds himself anew on screen

Review: Madeline’s Madeline

By Devika Girish
August 6, 2018
(Josephine Decker, USA, Oscilloscope, Opening August 10)

News to Me: Deborah Stratman, Cristi Puiu, Dardennes

By Devika Girish
May 28, 2018
Ancestral spirits: a new work by experimental filmmaker Deborah Stratman gives a platform for strong female voices from the past and present

News to Me: Corneliu Porumboiu, Kristen Stewart, Abderrahmane Sissako

By Devika Girish
May 21, 2018
Whistling while you work: the director’s first film abroad considers code and genre through an unusual linguistic phenomenon

Interview: Barbet Schroeder

By Devika Girish
April 18, 2018
Genocide in Myanmar: as the persecution continues, a look back at The Venerable W. which portrays a Buddhist leader of violence against Rohingya Muslims

Interview: Kantemir Balagov

By Devika Girish
April 3, 2018
Heroes of our time: the director of Closeness discusses expressing his culture and developing a distinct visual style

ND/NF Interview: Valérie Massadian

By Devika Girish
April 2, 2018
No patience: the director of Milla and Nana speaks in praise of watching people live their lives, and crafting a cinema to match

ND/NF Interview: Stephen Loveridge

By Devika Girish
March 29, 2018
Auto-focus: Matangi/Maya/M.I.A reexamines the intertwined political and personal background of the outspoken musical artist

Out of This World

By Devika Girish
February 24, 2018
Ryan Coogler’s Black Panther envisions an alternate future for a troubled genre and a troubling reality, pointing the way toward more political, playful science fiction

Review: The Insult

By Devika Girish
December 20, 2017
(Ziad Doueiri, Country/Distributor: France/Lebanon/Belgium/USA, Cohen Media Group, Opening January 12)

Short Take: The Other Side of Hope

By Devika Girish
November 3, 2017
(Aki Kaurismäki, Finland, Janus Films, Opening December 1)

ND/NF Interview: Sanal Kumar Sasidharan

By Devika Girish
March 21, 2017
The hitchhikers: the Indian director of Sexy Durga discusses the feminist issues raised by his harrowing road thriller