Truth and consequences: three notable nonfiction titles from this year's Sundance stood out from the lineup: the Richard Linklater–directed first episode of the documentary trilogy God Save Texas; War Game; and Union
Here and elsewhere: the philosopher-turned-filmmaker joins for a conversation about the making of his debut film, which explodes conventions of biography and nonfiction for a uniquely collective portrait of trans life
Spit take: a collection of newly restored shorts from the Sudanese Film Group strain against the didactic dictates of a state-sanctioned national cinema
Throughlines: the German actor, known for his extraordinary physicality, discusses his inspirations and his firecracker performance in Ira Sachs’s new film, Passages
Girl talk: the director of the ultra-pink blockbuster discusses imbuing inanimate objects with feeling, balancing cynicism and care, and, of course, irrepressible thoughts of death
Lush life: the director discusses her debut feature, the particularities of portraying Black motherhood, how she eschewed social-realist tropes, and what her (many nonprofessional) actors taught her about empathy
Perspective shift: history was retold and resold at this year’s Cannes, in films like Martin Scorsese's Killers of the Flower Moon, Lisandro Alonso's Eureka, Alice Rohrwacher's La chimera, and others
Oceanic feeling: the German filmmaker talks about his latest, a slyly comedic chamber piece, which won the Silver Bear Grand Jury Prize at last month’s Berlinale
Tall tales: the light of Steven Spielberg’s cinema is both illuminating and disillusioning, and in the autobiographical The Fabelmans, the auteur subjects himself to its glare
Truth claims: the French-Senegalese filmmaker discusses the real-life roots of her fiction debut and what it means to embody universality in a Black woman
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