Devika Girish

Lost in language: the director discusses her latest work of autofiction, Cannes-triumph One Fine Morning

A woman apart: the iconic actress discusses the process behind some of her most fascinating performances

Tangled web: with The Girl and the Spider, the Zürcher brothers craft a formalist fable of Surrealist uncanny and combustible yearning

Eyes and ears: the directors of We Met in Virtual Reality and I Didn't See You There join for a special live conversation about how documentaries make and unmake our ways of seeing

Out of darkness: the filmmaker discusses her Cannes–winning documentary and its beguiling mix of fiction and nonfiction, art and politics

Glorious muck: Ephraim Asili’s film foregrounds the material and interpersonal imperatives that intoxicating visions of communal life often elide

Home sweet home: In Satyajit Ray’s domestic drama, the intimacies of family are political, and love is a kind of solidarity

Modern myths: the directors of The Girl and the Spider and What Do We See When We Look at the Sky? discuss their inspirations, aspirations, and the resonances between their whimsical films

Love is war: the British master discusses art, beauty, eternity, and his new film, an impressionistic biopic of poet Siegfried Sassoon

Forking paths: the Taiwanese auteur discusses his latest, Days, a film that trembles with the simple pleasure and release of human touch

The pleasure of this archival concert film is in watching a symphony of performance and reception, call-and-response

Suzanne Lindon’s debut captures the thrill of first passion and heartbreak, but without sordid clichés

Home of the free: Adam Khalil, Zack Khalil, and Jackson Polys discuss their “public secret society” and its new exhibit, which questions our relationships to indigeneity

In the drink: Undine reenergizes the recursive motifs of Christian Petzold's oeuvre while also sharpening his longstanding interest in history and capitalism

Time after time: the Haitian filmmaker discusses his new series, a kaleidoscopic exploration of the origins of white supremacy

Djibril Diop Mambéty, Senegal, 1992; Kino Lorber, DVD & Blu-Ray

Colombian filmmaker Camilo Restrepo’s debut feature Los Conductos burns white-hot with the misterioso story of an outlaw at large

With no theater to step into, Devika Girish reflects on the options for connecting with others and with cinema

New and important work plucked from festivals and elsewhere

Water under the bridge: Christian Petzold, director of Berlinale sensation Undine, talks about themes of romantic loss and betrayal in his work