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Published by Film at Lincoln Center

Molly Haskell

Seeing Double: Bad Timing & Winter Light

By Molly Haskell
June 14, 2021
Through a glass darkly: the critic finds strange exhilaration in a particularly daunting pair of movies

Moviegoing Then and Now

By Molly Haskell
May 10, 2021
Out of the past: the critic reflects on moviegoing across the years and her enchantment with spectacle both big and small

Declaration of Independence

By Molly Haskell
May 8, 2020
Paul Mazursky’s An Unmarried Woman is the wry, graceful culmination of certain genre of 1970s cinema

The Big Screen: The Traitor

By Molly Haskell
January 28, 2020
Marco Bellocchio’s Sicilian saga unfolds under the looming shadow of mortality, of time running out for aging kingpins, and of debts coming due

Our Fair Lady: Audrey Hepburn

By Molly Haskell
April 2, 2019
A personal appreciation of the great actress, FSLC’s 1991 Chaplin Award Gala honoree

The Big Screen: Gloria Bell

By Molly Haskell
March 7, 2019
Julianne Moore's Gloria is an emblem of a single woman triumphantly navigating middle age

Review: The Favourite

By Molly Haskell
November 19, 2018
(Yorgos Lanthimos, Ireland/UK/USA, Fox Searchlight, Opening November 23)

Review: Don’t Worry, He Won’t Get Far on Foot

By Molly Haskell
July 2, 2018
(Gus Van Sant, USA, Amazon Studios, Opening July 13)

I’ve Seen You Somewhere Before: Soulmates in Ophuls’s Letter from an Unknown Woman

By Molly Haskell
December 13, 2017
The marrying kind: what love means in this sumptuous adaptation of a Stefan Zweig novel

Review: Call Me by Your Name

By Molly Haskell
November 15, 2017
(Luca Guadagnino, Italy/France, Sony Pictures Classics, Opening November 24)

A Man Apart

By Molly Haskell
May 3, 2017
Beyond tough, Robert De Niro creates characters whose strange integrity fascinates and frightens us

In Memoriam: Richard Corliss

By Molly Haskell
May 6, 2015
A short remembrance by a friend and colleague

Howard Hawks: Masculine Feminine

By Molly Haskell
March 4, 2015
Hawks’ view of a world precariously divided between the male and female principles

Review: Cake

By Molly Haskell
January 20, 2015
Jennifer Aniston's turn as a cheerless, scarred woman pushes expectations of both her career and female performances

Review: Still Alice

By Molly Haskell
October 1, 2014
(Richard Glatzer & Wash Westmoreland, U.S., 2014)

Finding Herself

By Molly Haskell
May 27, 2011
The everlasting prime of an acting powerhouse who gracefully eludes definition yet is every inch a star