Announcing the return of the Film Comment Podcast and debut of a weekly letter! See more >>

Published by Film at Lincoln Center

Web Only

The Film Comment Podcast: At Home #15

By Nicolas Rapold
April 13, 2020
Mano a mano: critic/programmers Ashley Clark and Eric Hynes join to discuss the present and future of cinema-going, and what they’ve been watching at home

News to Me: Bruce Baillie, David Lynch, and Pedro Almodóvar

By James Wham
April 13, 2020
In the flow: Claire Denis, High Maintenance, and the ongoing streaming takeover

Film of the Week: The Platform

By Jonathan Romney
April 10, 2020
Trickle-down economics: the class system takes visceral form in a Spanish dystopian horror film

Interview: Lois Patiño

By Jordan Cronk
April 9, 2020
Red sky at night: the Galician filmmaker on the unexpected discoveries that shaped his intoxicating narrative hybrid Red Moon Tide

Present Tense: Arizona Dream

By Sheila O'Malley
April 9, 2020
Flying high: the original 1993 cut of Emir Kusturica’s dreamlike vision of the American west captivates with an all-star cast, out-there humor, and emotion

The Film Comment Podcast: At Home #14

By Nicolas Rapold
April 8, 2020
Desperate times: critics David Bordwell and Imogen Sara Smith call in to discuss Japanese cinema, Douglas Sirk, Christian Petzold, Godard on Instagram, and more

Queer & Now & Then: 1965

By Michael Koresky
April 8, 2020
Brief encounter: Andy Milligan’s Vapors radiates passion, spontaneity, and a genuine drive that are unfakeable

The Film Comment Podcast: At Home #13

By Nicolas Rapold
April 7, 2020
Through the wire: critic-programmers Nellie Killian and Ed Halter on the Cinema Worker Solidarity Fund and the view from their bunkers

TCM Diary: Coma

By Michael Sragow
April 7, 2020
It’s serious: Michael Crichton’s 1978 smash is a brisk, scary, clever thriller about a body-snatching scam featuring a magnetic Genevieve Bujold

The Film Comment Podcast: At Home #12

By Nicolas Rapold
April 6, 2020
Hey now: critic Jonathan Romney calls in from London to discuss the movies—and TV—that he’s been watching of late