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The Film Comment Podcast: Todd Haynes on Dark Waters

By Nicolas Rapold
November 20, 2019
Guest host Amy Taubin sits down with the veteran filmmaker to discuss Teflon pans, corporate malfeasance, and his new whistleblower drama

Interview: Shannon Murphy

By Nicolas Rapold
November 18, 2019
Incisive moments: the director on her Venice standout Babyteeth, an electric debut feature

News to Me: Paul Thomas Anderson, Spike Lee, and John Sayles

By James Wham
November 18, 2019
Through the looking glass: Vlada Petric, Apichatpong Weerasethakul, and Mati Diop

Film of the Week: Atlantics

By Jonathan Romney
November 14, 2019
Dancer in the dark: Mati Diop’s debut feature is undeniably one of the boldest films of the year, crackling with invention, beauty, and anger

Classified: Whodunits

By April Wolfe
November 14, 2019
One more thing: reassessing a genre that can make a shabby first impression

The Film Comment Podcast: Work and Class in Movies, with John Sayles

By Nicolas Rapold
November 13, 2019
It’s a living: the veteran filmmaker is joined by critic Teo Bugbee for a discussion about depictions of labor on the big screen

Interview: Rodrigo Prieto

By Nicolas Rapold
November 12, 2019
Family affair: the cinematographer on his approach to Scorsese’s The Irishman, a film at once epic and intimate

News to Me: Julie Dash, Terrence Malick, and Korean Cinema

By James Wham
November 12, 2019
On the beach: Luis Ospina, Gustav Deutsch, and Adèle Haenel

Deep Focus: Honey Boy

By Michael Sragow
November 8, 2019
Daddy dearest: Alma Har’el’s debut fiction feature is a wonderful movie with a raw, brilliant script by star Shia LaBeouf

Film of the Week: Marriage Story

By Jonathan Romney
November 7, 2019
Love on the rocks: Noah Baumbach’s latest is witty, reveling in a mischievous sense of fun, and harrowing in its view of spousal difference