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Published by Film at Lincoln Center

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Review: Nobody Walks

By Sophie Blum
October 15, 2012
A snapshot of a generation, taken with the "Pith" Instagram filter

Review: Seven Psychopaths

By Graham Corrigan
October 12, 2012
This weekend's other big screen tale of a boy and his dog

Loose Ends: An Interview with Tony Conrad

By Genevieve Yue
October 11, 2012
The avant-garde pioneer speaks about his multi-channel, multimedia work

Review: Middle of Nowhere

By Violet Lucca
October 10, 2012
Ava DuVernay's intimate tale of love and the industrial prison complex

Review: Argo

By Jonathan Robbins
October 9, 2012
Ben Affleck's third directorial effort presents a nuanced look at the U.S.-Iran relationship through the story of audacious covert op

Review: Frankenweenie

By Sarah Mankoff
October 8, 2012
A boy, his dog, and referential horror movie humor

Review: The Paperboy

By Violet Lucca
October 5, 2012
Lee Daniels's follow-up to Precious is a hot mess

Review: The House I Live In

By Margarita Georgitseas
October 3, 2012
Even The Wire's David Simon can't save this well-argued but preachy doc about U.S. drug policy

Billy Wilder in Billy, How Did You Do It?

By Jonathan Robbins
October 2, 2012
Volker Schlöndorff's conversations with the German director who fashioned some of Hollywood's greatest commentaries on American life

Festivals: Le Festival des Films du Monde

By José Teodoro
October 1, 2012
The hidden hits of Montreal's World Film Festival