Interviews

I contain multitudes: the filmmaker discusses his new film—an ode to the impossibility of representing the nation—and his penchant for “copying” his own and other artists’ work

Triangulation: the auteur discusses her new feature, portraying desire without judgment, working with actors across many years and films, and much more more

Out of darkness: the filmmaker discusses her Cannes–winning documentary and its beguiling mix of fiction and nonfiction, art and politics

Missing persons: in his feature debut, Vaughan subtly infuses a critique of Australia’s colonial past into free-flowing scenes of bone-dry absurdity

On the road: the filmmaker discusses her found-footage film, a meticulously edited selection of travelogue films made by women, accompanied by live narration

Common people: the Norwegian director discusses his latest, a shape-shifting romantic comedy of self-realization, The Worst Person in the World

Modern myths: the directors of The Girl and the Spider and What Do We See When We Look at the Sky? discuss their inspirations, aspirations, and the resonances between their whimsical films

In dreams: the Georgian director discusses the method behind the delicate balance of romance, folklore, and social critique in his What Do We See When We Look At The Sky?

Motorhead: the director of Titane on the film’s surprising use of humor, her abiding interest in “opening the skin,” and much more

All the world’s a set: the British filmmaker and her star join to discuss the second entry in their remarkable two-part saga of meta-autofiction