Published by Film Society of Lincoln Center

Interviews

Camerimage Interview: Denis Lenoir

By Robert Horton
February 12, 2018
Linger on: the cinematographer who came of age with Olivier Assayas discusses the minutiae of changes that come with shooting and directing digitally

Interview: Valeria Sarmiento

By Jaime Grijalba
February 8, 2018
The missing pieces: Raúl Ruiz’s widow, the filmmaker Valeria Sarmiento, on solving the puzzles of her husband’s unfinished work

Sundance Interview: RaMell Ross

By Eric Hynes
February 1, 2018
Lives in full: the award-winning filmmaker searches for a true vision of daily experience

Camerimage Interview: Dan Laustsen

By Robert Horton
January 18, 2018
No rules, please: the Danish cinematographer behind The Shape of Water and Nightwatch discusses digging into the details

Camerimage Interview: Charlotte Bruus Christensen

By Robert Horton
January 11, 2018
In a new light: the cinematographer of Molly’s Game, Fences, and Far From the Madding Crowd discusses being true to the text

Interview: Jaume Collet-Serra

By Nick Pinkerton
January 9, 2018
Stand clear of the closing doors: the director of The Commuter maps out how he shoots action in his thrillers of confinement and release

Camerimage Interview: Sam Levy

By Robert Horton
January 5, 2018
Memory lane: the cinematographer of Lady Bird, Frances Ha, and Wendy and Lucy discusses the art of capturing low-key moments

Interview: Thomas Arslan

By Jordan Cronk
January 3, 2018
Country life: the Berlin Schooler and director of Bright Nights discusses creating characters out of places

Modern Painter

By Robert Horton
January 3, 2018
Cinematographer Rachel Morrison on finding a natural look for both Black Panther and Mudbound

Happy New Gehr! An Interview with Ernie Gehr

By Chris Shields
December 31, 2017
Got a light: the foundational filmmaker talks about the origins of his experimental techniques in essential works such as Serene Velocity