Call of the wild: for the L.A.–based Kramer, her two new films are a way of recovering the queer elements of historical periods that, on the surface, appear to be anything but
I contain multitudes: the filmmaker discusses his new film—an ode to the impossibility of representing the nation—and his penchant for “copying” his own and other artists’ work
Triangulation: the auteur discusses her new feature, portraying desire without judgment, working with actors across many years and films, and much more more
On the road: the filmmaker discusses her found-footage film, a meticulously edited selection of travelogue films made by women, accompanied by live narration
Modern myths: the directors of The Girl and the Spider and What Do We See When We Look at the Sky? discuss their inspirations, aspirations, and the resonances between their whimsical films
In dreams: the Georgian director discusses the method behind the delicate balance of romance, folklore, and social critique in his What Do We See When We Look At The Sky?
