Phantom pictures: the Singaporean filmmaker reflects on how the urban landscapes and communities depicted in his 2018 feature A Land Imagined have since disappeared due to relentless industrial redevelopment
Talk to him: the recipient of Film at Lincoln Center’s 50th Chaplin Award reflects on his subversively queer cinema, his love for actors, and making films in times of authoritarianism
Double trouble: Barry Levinson‘s new mob movie trades on the gambit of its two Robert De Niro performances, yet fails to imbue them with any more brio than one finds in an SNL sketch
Watching the show: the Austrian critic and curator discusses his debut feature, a cinematic essay that investigates the on- and off-screen personas of the legendary American actor, and what they reveal about the United States then and now
Long journey: Sarah Friedland‘s debut feature Familiar Touch—the Opening Night selection of this year’s New Directors/New Films Festival—is the rare film about aging that bypasses the lurid and the exploitative
Sweet dreams: there is something unsettlingly liminal about the Okinawan artist’s videos, which take place on thresholds like graveyards, fences, and national borders
