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Don’t lie to me: filmmakers Rosine Mbakam, Kleber Mendonça Filho, and Frederick Wiseman join to discuss the slippery nature of truth on screen

Office culture: director Rodrigo Moreno discusses his NYFF61 standout, a matryoshka doll of a movie, crackling with dry humor, about the drudgery of office work

Be like water: Víctor Erice’s Close Your Eyes and Kleber Mendonça Filho’s Pictures of Ghosts are love letters to cinema that take very different approaches

Work out: representatives of the unions behind the writers’ and actors’ strikes join, along with critic Alissa Wilkinson, to discuss these labor actions

Earth and sky: the director and cinematographer behind the NYFF61 standout discuss their poetic, evocative portrait of a young woman whose story is inextricably linked to a sense of community and place

Future days: two of the most anticipated films from this year's edition, Bertrand Bonello’s The Beast and Harmony Korine’s AGGRO DR1FT, share a desire to provoke

Out of the fog: the NYFF61 Revivals section features a thematic thread of films about immigration and displacement: Bahram Beyzaie’s The Stranger and the Fog, Tewfik Saleh’s The Dupes, Horace Ové’s Pressure, and more

More please: Arnow’s comedic auto-portrait of a woman adrift in New York City is a moving exploration of romantic and existential indecision, sexual self-expression, humiliation, and the uses of first-person experience in storytelling

Full circle: the Argentine director discusses his dazzling, border-crossing new film which opens the Currents section of this year’s NYFF61

Imitation of life: Todd Haynes’s latest, which opens this year's NYFF, rips a tale from the tabloid headlines and turns it into a modern melodrama of desire, deception, and delusion