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From the New Issue
The Strength of Street Knowledge
By
Craigh Barboza
September 13, 2019
Pioneering filmmaker John Singleton captured the humanity and horrors of the modern urban world
Lost and Found
By
Michael Koresky
September 3, 2019
Pedro Almodóvar taps into both the anguish and the eroticism of memory in
Pain and Glory
, his most personal film yet
Lonesome Trails
By
Nicolas Rapold
July 1, 2019
Quentin Tarantino’s
Once Upon a Time... in Hollywood
yearns for the liberating powers of storytelling and finds flickers of life in painted sunsets and broken dreams
False Idols
By
Christina Newland
June 7, 2019
David Essex’s sly, self-aware performance in
That’ll Be The Day
goes well beyond the usual dictates of a star vehicle
Write What You Know
By
Devika Girish
June 4, 2019
Cheerfully on point, workplace comedy
Late Night
plays out complex issues with the easy candor of its star, Mindy Kaling
I Know Where I’m Going
By
Sheila O'Malley
May 1, 2019
In Joanna Hogg's sublime breakout
The Souvenir
, a budding artist strives to stay true to her path despite a consuming romance
The Big Screen: Peterloo
By
Shonni Enelow
April 3, 2019
Speaking of freedom: Mike Leigh’s new film, opening April 5, is theatrical in the most classical and least pejorative sense
The Point of No Return
By
Nick Pinkerton
March 1, 2019
Claire Denis’s volatile
High Life
bonds sex and death drives through the space voyage of convicts condemned to the void
Playing Along: Leonard Rosenman (Edge of the City, 1957)
By
Carlos Valladares
February 20, 2019
A master of frenetic mood, the Hollywood composer brought a dark mania to films like the 1957 urban drama
Edge of the City
The Big Screen: Hotel by the River
By
Andrew Chan
February 13, 2019
The inertia of language: the latest from Hong, a master of small talk, draws attention to the emptiness beneath the chatter
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