Published by Film Society of Lincoln Center

Michael Koresky

Interview: Todd Haynes, Ed Lachman, and Mark Friedberg

By Michael Koresky
September 25, 2017
Heroic trio: Wonderstruck’s director, cinematographer, and art director discuss the inspirations for re-imagining different eras of New York

Festivals: Toronto

By Michael Koresky
September 14, 2017
Fatal attractions: this year’s pared-down fest offered several views on loss and aging

Review: Wonderstruck

By Michael Koresky
September 1, 2017
(Director: Todd Haynes, Country/Distributor: USA, Amazon Studios, Opening: October 20)

Review: Beach Rats

By Michael Koresky
July 30, 2017
(Eliza Hittman, USA, Neon, August 25)

Staying In

By Michael Koresky
April 14, 2017
Terence Davies’s A Quiet Passion

Short Take: After the Storm

By Michael Koresky
March 3, 2017
(Hirokazu Kore-eda, Japan, Film Movement, Opens March 17)

Short Take: I Am Michael

By Michael Koresky
January 3, 2017
(Justin Kelly, USA, Brainstorm Media, Opens January 27)

The Missing Piece

By Michael Koresky
January 3, 2017
Nostalgia masquerading as neoclassicism was the false promise of ballyhooed hits

Review: I, Daniel Blake

By Michael Koresky
November 3, 2016
(Ken Loach, UK/France/Belgium, Opening December 23)

Festivals: Toronto

By Michael Koresky
September 20, 2016
Life, the universe, and everything in it: in the vast sea of films at this year's fest, a handful asked the big questions

Short Takes: The Birth of a Nation

By Michael Koresky
September 6, 2016
(Nate Parker, USA, Opening October 7)

I Am a Camera

By Michael Koresky
September 6, 2016
Cinematographer Kirsten Johnson harnesses her life’s work to define a filmmaking philosophy in Cameraperson

Review: The BFG

By Michael Koresky
July 5, 2016
(Steven Spielberg, U.K./Canada/U.S., 2016)

Out of the Past

By Michael Koresky
March 3, 2016
Nature abhors a straight line: why the rich and complex history of queer cinema must be told many ways

Review: Les Miserables

By Michael Koresky
December 26, 2012
What has Tom Hooper done?