Framed: Kelly Reichardt, Kent Jones, and Lucio Castro join from NYFF63 to discuss the temporality of cinema versus the other arts, the challenge of being a working artist, and more
Artificial heart: the great American actress discusses her role in the latest from Pedro Almodóvar, which co-stars Tilda Swinton as a dying woman who makes a daring request of an old friend, played brilliantly by Moore
Into the limelight: in settings both grim and glamorous, Sean Baker's Anora repeatedly shows how despair is the bedrock for the false-front distractions of American kitsch
Body doubles: David Cronenberg's The Shrouds and Pedro Almodóvar's The Room Next Door find both auteurs still playing around the permutations of the flesh, but in a decidedly retrospective mood
Who shall I say is calling? Two NYFF62 standouts, Philippe Lesage’s Who by Fire and Nicolás Pereda’s Lázaro at Night, masterfully play with the slippage between the real and the fictional
The past is present: the 2024 NYFF Revivals section featured films about labor and dreams, including Zeinabu irene Davis’s Compensation, John Hanson and Rob Nilsson’s Northern Lights, and Robert Bresson’s Four Nights of a Dreamer.
That's a wrap: critics Bilge Ebiri and Lovia Gyarkye join Film Comment editors Devika Girish and Clinton Krute for a spirited wrap-up analysis of the highlights and lowlights from this year's lineup
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