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Features
Interview: Ilya Khrzhanovsky
By
Jonathan Romney
March 13, 2019
The mind behind the massively ambitious
Dau
discusses the mysterious, "pluridisciplinary" project
Ice Age
By
Aliza Ma
March 6, 2019
With
An Elephant Sitting Still
, Hu Bo leaves behind a shattering final testament to China’s postindustrial no-hopers
Neither Here Nor There
By
Imogen Sara Smith
March 1, 2019
Always leaving or being left behind, the refugee protagonists of Christian Petzold's
Transit
circulate on the tides of war and history
The Point of No Return
By
Nick Pinkerton
March 1, 2019
Claire Denis’s volatile
High Life
bonds sex and death drives through the space voyage of convicts condemned to the void
Higher Learning: The Unwatchable
By
W.J.T. Mitchell
February 26, 2019
See no evil: what does it mean to proclaim something “unwatchable,” whether disturbing, revolting, poor quality, tedious, or literally inaccessible?
Triumph of the Will
By
J. Hoberman
February 5, 2019
Museum quality: Leni Riefenstahl and the aestheticization of politics
Higher Learning: A Greater Los Angeles
By
Laura Isabel Serna and Colin Gunckel
January 14, 2019
New Hollywood: Mexican-born critic and playwright Gabriel Navarro brought together a rich world of uniquely Mexican-American culture in the first decades of the 20th century
Arthur Edeson and the ASC 100th
By
Nicolas Rapold
January 8, 2019
Pretty as a picture: celebrating the 100th anniversary of the American Society of Cinematographers with the director of
Casablanca
(or photos thereof)
Outside the Main Stream
By
Michael Koresky
January 2, 2019
The movies we love are ours forever—or are they?
The Future Is Getting Here
By
Nicolas Rapold
January 2, 2019
By any standard, American cinema changed course this year
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