James Lattimer

Cool heads prevail: this year’s edition—especially since a recent turn to collective curation—took a typically protean approach, yielding some audaciously uncategorizable and hybrid works

Blurred lines: Mark Jenkin’s mind-bending slice of purgatorial folk horror vividly depicts the psychological dissolution of a woman living in isolation on the windswept moors of a tiny Cornish isle

To desire differently: the director of Casanova Gene discusses her free-form essay film and working with Malkovich