Published by Film at Lincoln Center

Features

Free to Be You and Me

By Soraya Nadia McDonald
May 6, 2019
In Jordan Peele's Us, the doubled characters of Adelaide and Red pose vexing questions about assimilation in America

Truth or Consequences

By Aliza Ma
May 1, 2019
With Non-Fiction, Olivier Assayas sets his galaxy brain to work on the shifting sand and mirages of the vaunted digital age

Breaking Ground

By Film Comment
May 1, 2019
To celebrate the 50th Anniversary of Film at Lincoln Center, we present a brief history via legendary intrepid programmer Amos Vogel

Personal Effects

By Film Comment
May 1, 2019
A selection of buried treasures from 50 years of Film at Lincoln Center

I Know Where I’m Going

By Sheila O'Malley
May 1, 2019
In Joanna Hogg's sublime breakout The Souvenir, a budding artist strives to stay true to her path despite a consuming romance

We Can Be Heroes: Agnès Varda

By Wang Muyan
March 29, 2019
Read our 2017 conversation with the great filmmaker, who passed away on March 29

Higher Learning: Labeling Black Unbankable

By Maryann Erigha
March 28, 2019
Split ticket: how Hollywood insiders socially construct audiences by strategically targeting specific racial demographics

Interview: Ilya Khrzhanovsky

By Jonathan Romney
March 13, 2019
The mind behind the massively ambitious Dau discusses the mysterious, "pluridisciplinary" project

Ice Age

By Aliza Ma
March 6, 2019
With An Elephant Sitting Still, Hu Bo leaves behind a shattering final testament to China’s postindustrial no-hopers

Neither Here Nor There

By Imogen Sara Smith
March 1, 2019
Always leaving or being left behind, the refugee protagonists of Christian Petzold's Transit circulate on the tides of war and history