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Features
Can Dialectics Break Bricks?
By
Devika Girish
May 8, 2020
Colombian filmmaker Camilo Restrepo’s debut feature
Los Conductos
burns white-hot with the misterioso story of an outlaw at large
Blood on Their Hands: Luis Ospina
By
Ela Bittencourt
May 8, 2020
Colombian class warrior Luis Ospina blazed a revolutionary trail through Latin American cinema with subversive genre and documentary works
Enter the Void
By
Nicolas Rapold
May 8, 2020
Christopher Harris’s urban landmark
still/here
expresses the feelings of absence in ravaged St. Louis neighborhoods to create an afterimage of African-American experience
By Any Means Necessary: Med Hondo
By
Aboubakar Sanogo
May 1, 2020
A dazzling voice for Africa and the diaspora, filmmaker Med Hondo threw down fearless, prickly experiments that banish colonial rot
Inside Man
By
Nick Pinkerton
May 1, 2020
The pandemic seclusion changes how each of us is touched by movies. Nick Pinkerton reaches out
I Think We’re Alone Now
By
Devika Girish
May 1, 2020
With no theater to step into, Devika Girish reflects on the options for connecting with others and with cinema
What Could Go Wrong?
By
Imogen Sara Smith
May 1, 2020
With the miraculous
About Endlessness
, the living pictures of Roy Andersson heave a melancholy sigh over the human condition
Notes on Shadows of Our Forgotten Ancestors
By
Sergei Parajanov
April 7, 2020
The master filmmaker on the making of his 1965 breakthrough
The Power & the Gory
By
Manny Farber & Patricia Patterson
March 3, 2020
In this classic 1976 essay, the two critics take on Martin Scorsese’s
Taxi Driver
Not Buying It
By
Michael Koresky
March 2, 2020
As films and film culture face brutal and witless change, love of the art form can be radical and sustaining
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