Published by Film at Lincoln Center

Features

Still Looking

By Mark Harris
November 3, 2016
Is the representation of gays in today’s American cinema stuck in gear?

The State That I Am In

By José Teodoro
November 3, 2016
In Neruda and Jackie, shape-shifting filmmaker Pablo Larraín portrays two national icons through refracted storytelling and unexpected emotion

The Cleaning Crew

By Violet Lucca
November 2, 2016
From touch-ups to full makeovers, the work of today’s digital artisans deserves more credit

Song of Myself

By Farihah Zaman and Nicolas Rapold
October 20, 2016
Barry Jenkins confirms his talent with a heartwrenching and gorgeous portrait of a man grappling with his sexuality in a rough corner of Miami ­­­­

Talking in Circles

By Nick Pinkerton
October 4, 2016
In the era of social media, criticism may be losing sight of film itself

I Am a Camera

By Michael Koresky
September 6, 2016
Cinematographer Kirsten Johnson harnesses her life’s work to define a filmmaking philosophy in Cameraperson

The Great Recession

By Shonni Enelow
September 6, 2016
Restrained but resilient, a style of acting has taken hold that speaks to an era’s anxieties

Shooting the Messenger

By Eric Hynes
August 23, 2016
A critic discovers that the nonfiction film experiments of today read a lot like the 
New Journalism movement of the 1960s and 1970s

Film as Art: Daydreaming with Stanley Kubrick

By Richard Combs
August 17, 2016
We'll meet again: an extensive U.K. exhibition of multimedia work plays with the notion of the Kubrickian

You’re the One for Me, Fatty

By Scott Eyman
July 11, 2016
Fast and bulbous: in early shorts costarring a young Buster Keaton, the notorious slapstick comedian Roscoe “Fatty” Arbuckle was able to show off his full range of talents