By Robert Koehler
5.22.2013
Good old-fashioned sharp storytelling drive three films dramatizing the human cost of East Asia’s continued economic upheaval
By Film Comment
5.21.2013
Le Joli Mai: FILM COMMENT editors and contributors gather to suss out the good, the bad, and the ugly of Cannes 2013
By Amy Taubin
5.21.2013
Steven Soderbergh’s irresistibly entertaining Liberace biopic comes out on top at Cannes
By Robert Koehler
5.16.2013
Live from the Croisette, it's Robert Koehler. First up: Sicilian gangster gumption, courtesy of Fabio Grassadonia and Antonio Piazza
By Max Kyburz
5.14.2013
Kim Ki-duk's Catholic phase
By Amy Taubin
5.13.2013
The 12th edition of the festival offered more than just Bub and Bobby brushing shoulders
By Giovanni Marchini Camia
5.10.2013
Overlooked Nouvelle Vague director Jacques Rozier builds a Tower of Babel by the sea in this forgotten 1985 film
By Max Nelson
5.8.2013
The political is personal—even if you're sort of in it for the girls
By Violet Lucca
5.7.2013
Missing the punch—and point—of F. Scott Fitzgerald's classic
By Nicolas Rapold
5.6.2013
The past in present tense: uncovering the devastating clash between a militant group and Philadelphia police
By Meredith Slifkin
5.3.2013
The lighter side of Susanne Bier
By Emma Myers
5.3.2013
An update of Henry James's What Maisie Knew walks the line between drama and black humor