Reviews

Urban decay: Despite Matt Reeves’s tip-top casting and his usual virtuosity, the latest Caped Crusader reboot fails to reimagine this by-now commonplace material

Bark vs. bite: In typical fashion, Dominik Graf’s latest resonates as both a fully fleshed-out melodrama and a grand portrait of Weimar-era Germany

Dangerous minds: in the new Jackass Forever, persistence in the face of aging is a stunt in its own right

Dang me: Alan Rudolph’s 1984 country-music comedy is a rough-and-rowdy good time, punctuated by a typically unhinged performance from Rip Torn

Fair is foul: Joel Coen's stark, stylized The Tragedy of Macbeth is an unmistakeably Coen-esque and eerily timely distillation of the Scottish play

Salem’s just up the road: Charles Atlas’s 1986 fictionalized doc celebrates “the exuberant anarchy of limbs moving through space.”

Disappearing act: with its deceptively spare mise-en-scene and tamped-down performances, Andreas Fontana’s Dirty War thriller is a superlatively muted debut

Say my name: Nia DaCosta’s reimagining of the ’90s horror classic takes itself too seriously to be much fun

Faultlines: William Klein’s revealing portrait of the 1981 French Open is alternately sprawling and incisive

Sticks and stones: David Lowery's latest transforms the Arthurian tale of chivalry into a digestible, sensation-driven coming-of-age narrative