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Published by Film at Lincoln Center

Reviews

Currents: Divinely Evil

By Jordan Cronk
May 8, 2020
New and important work plucked from festivals and elsewhere

małni—towards the ocean, towards the shore

By Dessane Lopez Cassell
May 8, 2020
New and important work plucked from festivals and elsewhere

Currents: The Works and Days (of Tayoko Shiojiri in the Shiotani Basin)

By Jordan Cronk
May 8, 2020
New and important work plucked from festivals and elsewhere

The Cloud in Her Room

By Jonathan Romney
May 8, 2020
New and important work plucked from festivals and elsewhere

Ridge

By Nicolas Rapold
May 8, 2020
New and important work plucked from festivals and elsewhere

The Shepherdess and the Seven Songs

By Devika Girish
May 1, 2020
New and important work plucked from festivals and elsewhere

See This: March Picks

By Film Comment
March 3, 2020
Some recent and upcoming films that we feel deserve a little extra attention—brought to you by Warby Parker

Review: The Invisible Man

By Madeline Whittle
February 28, 2020
Now you see it: in Leigh Whannell’s update on H.G. Wells’s novel, the titular monster is liberated from the moral ambivalence of the old Universal antihero archetype

See This: February Picks

By Film Comment
February 6, 2020
Some recent and upcoming films that we feel deserve a little extra attention—brought to you by Warby Parker

Review: The Organizer

By Yale Udoff
January 28, 2020
Before checking out Phoebe Chen on Martin Eden in our new issue, read our 1964 review of Mario Monicelli’s ode to the working class