Leo Goldsmith

Resource extraction: the incendiary new Brazilian film Dry Ground Burning is the latest entry in a small canon of lo-fi insurrectionary speculative fables

Blast off: This year's edition of the North Carolina festival demonstrated a robust hunger among post-pandemic audiences for challenging experimental film, video, and performance work

Flickering myth: at a plein air cinema up in the Greek mountains, cine-pilgrims gather every four years for the ongoing premiere of Gregory Markopoulos's Eniaios

Love on the rocks: Both Sides of the Blade is Claire Denis’ latest exploration of the dissonances between body and language—or, as critic Leo Goldsmith puts it, “discourse and meatspace”

This year's model: the Portuguese nonfiction festival offered essential portraits of artists, animals, and post-revolutionary Cuba