Reviews

Fun in the sun: Ari Aster’s folk horror flick is a many-splendored—and many-categoried—thing

Lila Avilés’s natural filmmaking talents are on full display from the jump

The man upstairs: after roughly 55 years, the filmmaker has completed work on his legendary ode to Ferry Street

A "new" film by Orson Welles makes its American debut

Fear is not an option: Anand Patwardhan's essay film traces the pattern of political and sectarian violence across the modern history of India

Matteo Garrone's latest, in theaters April 12, illustrates the ruinous effects organized crime can have on even its most puppyish bit players

Concrete jungle: in Qiu Sheng’s tale of urban life, bureaucracy behaves like a cosmic force of nature

Speaking of freedom: Mike Leigh’s new film, opening April 5, is theatrical in the most classical and least pejorative sense

Return of the repressed: Jordan Peele's latest throws the audience into a house of mirrors

Time regained: Almodóvar’s latest is a heart-rending, meditative, and deeply confessional culmination of his prolonged immersion in the waters of autofiction