Blue in the face: the best films at this year’s Locarno—like Helena Wittman’s Human Flowers of Flesh—invited contemplation rather than mere comprehension
Explosive imagery: in a live talk recorded at Locarno '22, the Palestinian filmmaker joined to discuss the ways in which his work draws attention to the “camera of the dispossessed”
Looking ahead: the German filmmaker talks about her Locarno standout, Human Flowers of Flesh, and the ways in which her practice is rooted in embodied and communal experiences of time and space