Imogen Sara Smith

Chill wind blows: Pawel Pawlikowski's latest film shares points of romantic and musical comparison with a film by Karpo Godina

Once more with feeling: one hybrid film and one fiction film look at the reenactment and preservation of contentious pasts

Scenes between the scenes: the brilliant French director of Edouard and Caroline and Rendezvous in July deserves a place on par with the New Wave that followed

The way I see it: a series on female cinematographers at the Film Society of Lincoln Center invites a closer look at how we look

Miles to go: two clear-eyed new films of people on the move follow in the footsteps of Varda’s story of a drifter

Wrapped up in books: the different levels of narrative and time in a trio of tales about lovelorn men

No home movie: three films that confront the realities of displaced people in very different situations

Faces places: two New Directors films and Grisebach’s latest rethink how people relate to the spaces they’re in

Moving stills: Abbas Kiarostami’s final film expresses the beauty of the medium and its status as memento mori