Sign up for the
Film Comment
Letter today to get original film writing delivered to your inbox every week! >>
Published by Film at Lincoln Center
Podcast
The Letter
Latest
Issue Archive
Support
FC
Store
FAQ
About
Advertise
Stay Connected
Published by Film at Lincoln Center
FAQ
About
Advertise
Stay Connected
Toggle navigation
Menu
Podcast
The Letter
Latest
Issue Archive
Support
FC
Store
Imogen Sara Smith
Blues for the Iron Curtain: Cold War and Red Boogie
By
Imogen Sara Smith
October 30, 2018
Chill wind blows: Pawel Pawlikowski's latest film shares points of romantic and musical comparison with a film by Karpo Godina
Ghosts and Replicas: Bisbee ’17 and Museo
By
Imogen Sara Smith
September 20, 2018
Once more with feeling: one hybrid film and one fiction film look at the reenactment and preservation of contentious pasts
The Liberation: Jacques Becker and
Memoir of War
By
Imogen Sara Smith
August 28, 2018
Scenes between the scenes: the brilliant French director of
Edouard and Caroline
and
Rendezvous in July
deserves a place on par with the New Wave that followed
Beautiful Work: The Female Gaze in Beau Travail, La France, and The Romance of Astrea and Celadon
By
Imogen Sara Smith
July 24, 2018
The way I see it: a series on female cinematographers at the Film Society of Lincoln Center invites a closer look at how we look
Hard Traveling: Araby, Gabriel and the Mountain, and Vagabond
By
Imogen Sara Smith
June 22, 2018
Miles to go: two clear-eyed new films of people on the move follow in the footsteps of Varda’s story of a drifter
Word Pictures: The Day After, with The Seagull and On Chesil Beach
By
Imogen Sara Smith
May 24, 2018
Wrapped up in books: the different levels of narrative and time in a trio of tales about lovelorn men
Cities and Exiles: In the Last Days of the City and Art of the Real x 2
By
Imogen Sara Smith
April 24, 2018
No home movie: three films that confront the realities of displaced people in very different situations
Feeling at Home: Our House, Drift, and Western
By
Imogen Sara Smith
March 29, 2018
Faces places: two New Directors films and Grisebach’s latest rethink how people relate to the spaces they’re in
In Our Time: Abbas Kiarostami’s 24 Frames
By
Imogen Sara Smith
February 6, 2018
Moving stills: Abbas Kiarostami’s final film expresses the beauty of the medium and its status as memento mori