Right now, movie theaters are temporarily closed, and we’ll have to wait a while before we can all sit together again and look up at the big screen. But before the curtain dropped on moviegoing, Film Comment Editor-in-Chief Nicolas Rapold made his annual pilgrimage to the True/False Film Fest. True/False is a reliably energizing festival of nonfiction film, curating the best from around the world. It’s also an opportunity to take The Film Comment Podcast on the road, joining in Toasted, the late-night event that closes out the festival. This year, Rapold spoke with another rotating lineup of filmmakers, critics, and film professionals, about movies at the festival as well as the nitty-gritty of filmmaking and working with people in front of and behind the camera.

Among the films discussed are Garrett Bradley’s Time; Khalik Allah’s IWOW: I Walk on Water; Ra’anan Alexandrowicz’s The Viewing Booth; Daniel Hymanson’s So Late So Soon; and Sky Hopinka’s Malni: Towards the Ocean, Towards the Shore. Rapold was joined by Hymanson and Hopinka, critic Dessane Lopez Cassell, filmmaker Mustafa Rony Zeno, and more. Finally, please bear in mind that this was recorded before a live audience at Cafe Berlin. Special thanks to Em Downing of True/False for keeping the show running. Also note that our daily “At Home” podcasts will resume soon. Catch up on that series here.

If you’re a longtime Film Comment subscriber, listener, or reader, or are just tuning in now, please consider becoming a member or making a donation to our publisher, Film at Lincoln Center, during these unprecedented times. Also, don’t miss details on the new streaming availability of Bacurau, The Whistlers, and Vitalina Varela, online now via Film at Lincoln Center.