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Published by Film at Lincoln Center

Interviews

Camerimage Interview: Charlotte Bruus Christensen

By Robert Horton
January 11, 2018
In a new light: the cinematographer of Molly’s Game, Fences, and Far From the Madding Crowd discusses being true to the text

Interview: Jaume Collet-Serra

By Nick Pinkerton
January 9, 2018
Stand clear of the closing doors: the director of The Commuter maps out how he shoots action in his thrillers of confinement and release

Camerimage Interview: Sam Levy

By Robert Horton
January 5, 2018
Memory lane: the cinematographer of Lady Bird, Frances Ha, and Wendy and Lucy discusses the art of capturing low-key moments

Interview: Thomas Arslan

By Jordan Cronk
January 3, 2018
Country life: the Berlin Schooler and director of Bright Nights discusses creating characters out of places

Modern Painter

By Robert Horton
January 3, 2018
Cinematographer Rachel Morrison on finding a natural look for both Black Panther and Mudbound

Happy New Gehr! An Interview with Ernie Gehr

By Chris Shields
December 31, 2017
Got a light: the foundational filmmaker talks about the origins of his experimental techniques in essential works such as Serene Velocity

Interview: Nana Ekvtimishvili and Simon Gross

By Erin Delaney
December 27, 2017
Breaking free: the directors discuss My Happy Family and its story of a woman’s resilience in the face of a stifling home

Interview: Samuel Maoz

By Neta Alexander
December 22, 2017
Military intervention: the director of Foxtrot discusses controversy over the film in Israel and how it deals with trauma

Interview: Michael Haneke

By Nicolas Rapold
December 19, 2017
Merry Christmas, Mr. Laurent: the extended version of our interview with the director of Happy End—now with more Houellebecq!

I Got Life

By Nicolas Rapold
November 6, 2017
Alain Gomis on finding the strength in Félicité (and Félicité)