Robert Horton

Linger on: the cinematographer who came of age with Olivier Assayas discusses the minutiae of changes that come with shooting and directing digitally

No rules, please: the Danish cinematographer behind The Shape of Water and Nightwatch discusses digging into the details

In a new light: the cinematographer of Molly’s Game, Fences, and Far From the Madding Crowd discusses being true to the text

Memory lane: the cinematographer of Lady Bird, Frances Ha, and Wendy and Lucy discusses the art of capturing low-key moments

Cinematographer Rachel Morrison on finding a natural look for both Black Panther and Mudbound

Brain fever: Byron Haskin’s psychic thriller is torn between crumbling Hollywood kitsch and counterculture shlock

Wayward woman: King Vidor’s 1952 tale of small town politics is contradictory but enduringly magnetic

When Parks comes onscreen, you’re not sure where he’s coming from, but you’re sure he’s lived

(Radu Jude, Romania/Bulgaria/Czech Republic, 2015)

(Tommy Lee Jones, U.S., 2014)

Joseph L. Mankiewicz favored sophisticated storytelling over dynamic visuals—so what?

Scott Eyman's thorough biography shows us another side of The Duke

Jules Dassin’s sense of craft trumps the art-cinema pretensions of 10:30 P.M. Summer

Boasting Assayas, Tarantino, Moretti, Kieślowski, Allen, Burton, Lai, and more, 1994's NYFF was unforgettable

(Christophe Honoré, France, 2006)