Nicolas Rapold

Shared viewing: the filmmaker’s fascinating new documentary The Viewing Booth uses an ingenious setup for examining and reflecting upon responses to the media

The last laugh: journeys into outer and inner space occupied the spotlight on the Lido, with a couple of surprises

Volatile in Valparaiso: the Chilean director of Neruda and Jackie discusses his latest, an unpredictable portrait of a dancer who's a force unto herself

Seeing red: guests Emily Yoshida and Devika Girish discuss The Farewell, Rojo, Ray & Liz, and The Art of Self-Defense

House rules: the complete list of prizes for the official selection, including the historic Palme d'Or and Grand Prix winners, Directors' Fortnight, and more

The naked truth: we look at the MoMA's To Save and Project series, Anthology's city symphony survey, and more in our latest edition

Personal favorites: we talk about the movies that didn't make our lists but made it into our hearts (or at least made us laugh)

Murderer among us: the star of Lars von Trier's The House That Jack Built discusses playing a serial killer, in our latest Film Comment Talk

Shadows and swagger: our critics enjoy the darkness of Jacques Tourneur's films and revel in The Mule and the ever-unpredictable Clint Eastwood

Top of the heap: our live countdown and discussion of the year's best films

Murder by numbers: the director of The House That Jack Built talks about directing Matt Dillon, depicting hell, anxiety and creativity, and the like

Creation: at the New York Film Festival, we brought together Louis Garrel, Jodie Mack, Alex Ross Perry, and Albert Serra for a discussion on the joys and perils of moviemaking

Nobody does it better: Film Comment’s best of 2018 will be revealed live in a special event on December 11 at the Film Society of Lincoln Center, featuring a roundup by the best critics

Twists and turns: in our latest installment of our series on repertory films and new releases, we talk about the newly restored Detour, The Favourite, the quality of video, and more

O, pioneer: the actor talks about starring in Joel and Ethan Coen's The Ballad of Buster Scruggs and elucidates the nuances of their tragicomic style

Lost and found: the director of Sundance prize-winner Shirkers relives the making of a vanished film, in a Film Comment Talk at the Film Society

Le cinema du boo: what do these visitations of the supernatural and the otherwise unearthly do to us, and to movies?

Putting out fires: the director of Wildlife and the writer of the novel Wildlife meet for a rare discussion of filming and writing fiction