NYFF Gold Film Comment 728x90

November/December 2011

FEATURES

ALEXANDER PAYNE
By Scott Foundas
A connoisseur of discontent and mid-life crisis American-style outdoes himself with The Descendants

PINA
By Deborah Jowitt
Wim Wenders captures the convulsive choreography of the late Pina Bausch

KIM LONGINOTTO
By Nicolas Rapold
In Pink Saris, her portrait of a women's rights activist in rural India, this English filmmaker continues to represent the underrepresented

MISERY CINEMA
By Graham Fuller
British cinema’s ongoing fixation with wretched lives, bleak circumstances, and all things depressing

FILM NOVELIZATIONS
By Grady Hendrix
A brief history and consideration of a singularly cinematic literary genre

FRANÇOIS TRUFFAUT
By Richard Combs
Delving into the dark side of the Novelle Vague’s poster boy

DEPARTMENTS

EDITOR'S LETTER

OPENING SHOTS
News, Hot Property, Alex Cox’s 10,000 Ways to Die, Site Specifics, The Trivial Top 20®, Carrie Fisher’s Guilty Pleasures

FADE OUT
George Kuchar

SOUND & VISION
Dragonslayer & James Franco

CRITICS' CHOICE
Eight critics rate 25 new releases

FURTHER RESEARCH
Dave Kehr on Edward L. Cahn

FESTIVALS
Venice, Vancouver, Toronto, and Locarno

SCREENINGS
Coriolanus, The Artist, Pariah, The Skin I Live In, Carnage, Eames: The Architect & the Painter, Into the Abyss, Shame + Sleeping Beauty, and Tomboy

HOME MOVIES
Our guide for the shut-in cinephile

READINGS
Pauline Kael: A Life in the Dark by Brian Kellow, Believing Is Seeing (Observations on the Mysteries of Photography) by Errol Morris, and Monsters in the Movies: 100 Years of Cinematic Nightmares by John Landis

CLOSING SHOTS
Who’s who at recent Film Society events

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