Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. March-April 1974 Read online Robert Altman Speaking The filmmaker offers insights on 1973's The Long Goodbye by Jan Dawson Robert Altman Speaking Howard Hawks: Masculine Feminine Hawks’ view of a world precariously divided between the male and female principles by Molly Haskell Howard Hawks: Masculine Feminine Column Journals: London The view from across the pond by Richard Roud Journals: Paris A report from the City of Lights, with a conversation with Alain Resnais by Jonathan Rosenbaum Journal: Tehran A report on the Second International Tehran Film Festival by Melinda Ward Critics: Harry Alan Potamkin Potamkin exemplifies the ever-present dilemma of the left-wing film critic by Dudley Andrew Feature Alfred Hitchcock: Prankster of Paradox A consideration of the master filmmaker by Andrew Sarris Carl Dreyer An in-depth look at the work of the Danish master by Robin Wood Mth. Marilyn Monroe by Raymond Durgnat Short Subjects Thoughts and opinions, briefly by James Monaco, Dick Jameson, and Robin Wood Take Woody Allen — Please! by Leonard Maltin Lewis Milestone — Action! by Otis Ferguson The Griffith Tradition Griffith was both a moralist and a spiritualist, and his career can be seen as the battle between these two tendencies by John Dorr Interview Film as Incantation: An Interview with Abel Gance by Steven Kramer and James M. Welch Department Index to Volume 9, 1973 by Linda Batty Letters A reader takes issue with our Flaherty feature by Film Comment Back Page Classifieds from the world of film by Film Comment Book Review Book Reviews Two titles by Noel Burch and Jay Leyda by Noel Carroll and Bill Nichols
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. March-April 1974
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive.
Robert Altman Speaking The filmmaker offers insights on 1973's The Long Goodbye by Jan Dawson Robert Altman Speaking
Howard Hawks: Masculine Feminine Hawks’ view of a world precariously divided between the male and female principles by Molly Haskell Howard Hawks: Masculine Feminine
Howard Hawks: Masculine Feminine Hawks’ view of a world precariously divided between the male and female principles by Molly Haskell
Journals: Paris A report from the City of Lights, with a conversation with Alain Resnais by Jonathan Rosenbaum
Critics: Harry Alan Potamkin Potamkin exemplifies the ever-present dilemma of the left-wing film critic by Dudley Andrew
The Griffith Tradition Griffith was both a moralist and a spiritualist, and his career can be seen as the battle between these two tendencies by John Dorr
