Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. July-August 2007 Read online Encore: Kes Why Kes, Ken Loach's tale of a working-class boy who raises a kestrel, is an English classic by Chris Darke Encore: Kes Online Exclusive: Lonely are the Brave Alex Cox savors the enduring relevance of the modern western Lonely are the Brave by Alex Cox Online Exclusive: Lonely are the Brave Online Exclusive: Tribeca Film Festival 2007 The Tribeca Film Festival begins to settle in by Laura Kern Online Exclusive: Tribeca Film Festival 2007 Riding the Whirlwind: Norman Mailer Norman Mailer talks with Michael Chaiken about his independent filmmaking exploits by Michael Chaiken Riding the Whirlwind: Norman Mailer Fever Pitch: Sicko The unruly aesthetic of Michael Moore’s health-care call to arms by Stuart Klawans Fever Pitch: Sicko Department Editor’s Letter by Gavin Smith Opening Shots by Film Comment Letters by Film Comment Critics’ Choice by Film Comment Closing Shots by photographer Godlis, C.J. Contino, Dave Alloca. and Stephanie Berger Column Distributor Wanted: After This Our Exile by Chris Chang Jolly Corner: Crossroads by Guy Maddin Site Specifics: Rouge by Paul Fileri Guilty Pleasures: Simpsons creator’s fearless favorites by Matt Groening Art of the Real: No End in Sight by Film Comment Playbill: Polish Film Posters by Otto Buj and Lorenzo Buj Sound & Vision: Gordon Matta-Clark by Chris Chang Sound & Vision: Linda Linda Linda by Philip Brophy Olaf’s World: Peter Kern by Olaf Möller Fade Out: Curtis Harrington by Chuck Stephens Brief Encounters: Steve Buscemi Indie poster boy Steve Buscemi on filmmaking, celebrity culture, and putting out fires by Harlan Jacobson Feature Sunshine by Vivian Sobchack Shane Meadows by Graham Fuller Klaus Kinski by Maitland McDonagh Festival Coverage Cannes Film Festival: Femmes Rule by Amy Taubin Cannes Film Festival: Beyond the Law by Kent Jones Cannes Film Festival: Premature Celebration by Gavin Smith Cannes Critics’ Choice by Film Comment Cannes Film Festival: Unsentimental Journeys by Edward E. Crouse Cannes Film Festival: Transformations by Richard Peña Tribeca Film Festival: Something for Everyone by Amy Taubin Screenings Arctic Tale by Laura Kern A Mighty Heart by Harlan Jacobson State Legislature by Paul Arthur Dans Paris (Christophe Honoré, France, 2006) by Robert Horton Balls of Fury by Chris Norris Home Movies Inland Empire by Howard Hampton Malpertuis by Gavin Smith The Pirate by Kent Jones Omnibus Pick by Paul Fileri Sweet Alice by Maitland McDonagh Vacancy by Laura Kern Meatball Machine by Chris Chang Starter for 10 by Nicola Salvage The Freethinker by Paul Arthur Readings Phallic Frenzy: Ken Russell and His Films by Joseph Lanza Words into Images: Screenwriters on the Studio System by José Teodoro Discovering Orson Welles by Andrea Hoag The Cinematic by Chris Chang
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive. July-August 2007
Read issue Subscribe to access more than 300 print issues of Film Comment in our comprehensively indexed, searchable archive.
Encore: Kes Why Kes, Ken Loach's tale of a working-class boy who raises a kestrel, is an English classic by Chris Darke Encore: Kes
Encore: Kes Why Kes, Ken Loach's tale of a working-class boy who raises a kestrel, is an English classic by Chris Darke
Online Exclusive: Lonely are the Brave Alex Cox savors the enduring relevance of the modern western Lonely are the Brave by Alex Cox Online Exclusive: Lonely are the Brave
Online Exclusive: Lonely are the Brave Alex Cox savors the enduring relevance of the modern western Lonely are the Brave by Alex Cox
Online Exclusive: Tribeca Film Festival 2007 The Tribeca Film Festival begins to settle in by Laura Kern Online Exclusive: Tribeca Film Festival 2007
Online Exclusive: Tribeca Film Festival 2007 The Tribeca Film Festival begins to settle in by Laura Kern
Riding the Whirlwind: Norman Mailer Norman Mailer talks with Michael Chaiken about his independent filmmaking exploits by Michael Chaiken Riding the Whirlwind: Norman Mailer
Riding the Whirlwind: Norman Mailer Norman Mailer talks with Michael Chaiken about his independent filmmaking exploits by Michael Chaiken
Fever Pitch: Sicko The unruly aesthetic of Michael Moore’s health-care call to arms by Stuart Klawans Fever Pitch: Sicko
Fever Pitch: Sicko The unruly aesthetic of Michael Moore’s health-care call to arms by Stuart Klawans
Brief Encounters: Steve Buscemi Indie poster boy Steve Buscemi on filmmaking, celebrity culture, and putting out fires by Harlan Jacobson