Lost Ones
By Herman G. Weinberg
The Study and Preservation of Films at the Museum of Modern Art
By Lillian Gerard
Les Allures du Cheval: Eadweard James Muybridge’s Contribution to the Motion Picture
By Harlan Hamilton
In Memoriam: H. d’Abbadie d’Arrast, 1897-1968
By Herman G. Weinberg
The Serious Business of Being Funny
By Harold Lloyd
Basic Guides for Student Film Production
By Thomas J. Genelli
Two…But Not of a Kind: Warrendale and Titicut Follies
By Dr. Paul Bradlow
Television Station Breaks a New Art Form
By Richard J. Meyer
Television for Children, Socialist Style
By Rose Forman
A Report on the Bergamo Festival
By Frank Nulf
Rise of the American Film
By Martin S. Dworkin
Book Reviews
The Disney Version—The Life, Times, Art and Commerce of Walt Disney by Richard Schickel
Reviewed by Cecile Starr
Valentino by Irving Shulman
Reviewed by Robert Steele
Keaton by Rudi Blesh
Reviewed by William K. Everson
All Talking! All Singing! All Dancing!—A Pictorial History of the Movie Musical by John Springer
Reviewed by William K. Everson
Tower of Babel, Speculations on the Cinema by Eric Rhode
Reviewed by William K. Everson
Horror! by Drake Douglas
Reviewed by William K. Everson
An Illustrated History of the Horror Films by Carlos Clarens
Reviewed by William K. Everson
Sacha Guitry, The Last Boulevardier by James Harding
Reviewed by Herman G. Weinberg
Marlene Dietrich by John Kobal
Reviewed by Herman G. Weinberg
Silent Star by Colleen Moore
Reviewed by Herman G. Weinberg
With Eisenstein in Hollywood—A Chapter of Autobiography by Ivor Montagu
Reviewed by Herman G. Weinberg
Seventy Years of Cinema by Peter Cowie
Reviewed by Herman G. Weinberg
Esthetique et Psychologie du Cinema, Volumes 1 and 2 by Jean Mitry
Reviewed by Herman G. Weinberg
What is Cinema? by André Bazin
Reviewed by J. Dudley Andrew
The Lubitsch Touch—A Critical Study of the Great Film Director by Herman G. Weinberg
Reviewed by Prof. Frank Manchel
Due to Circumstances Beyond our Control by Fred W. Friendly
Reviewed by Dr. Richard J. Meyer
