Motor away: Barney Platts-Mills’s newly restored gem is a tale of a teen struggling in a blighted urban landscape that is also a vivid document of the less-than-swinging side of late-’60s London
Call of the wild: for the L.A.–based Kramer, her two new films are a way of recovering the queer elements of historical periods that, on the surface, appear to be anything but
Taken for a ride: Jenkins’ moving image work artist incisively analyzes how images—in film, TV, advertising, and the media landscape—set limits on the possible.
Real talk: critics Leo Goldsmith and Chris Boeckmann join to discuss highlights from the nonfiction festival, including a spotlight on the work of Alice Diop
I contain multitudes: the filmmaker discusses his new film—an ode to the impossibility of representing the nation—and his penchant for “copying” his own and other artists’ work
Run it back: a renewed interest in reenactment in documentary foregrounds two historically sidelined aspects of nonfiction cinema: performance and authorship
