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Published by Film at Lincoln Center

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Review: Blue Caprice & A Teacher

By David Gregory Lawson
September 4, 2013
Shot in the back: two studies of taboos, one aesthetic

Interview: Brian De Palma

By Margaret Barton-Fumo
September 3, 2013
The master speaks! Exchanging words with the director of Passion

Review: The Last Christeros

By David Gregory Lawson
August 30, 2013
Men of God and the land in post-revolutionary Mexico

Review: I Declare War

By Jordan Osterer
August 27, 2013
Lord of the Flies meets Calvin and Hobbes in Jason Lapeyre and Robert Wilson's first directorial collaboration

Review: Wadjda

By Violet Lucca
August 26, 2013
A visually accomplished first feature about the lives of Saudi women lives up to the hype

Review: Short Term 12

By Jonathan Robbins
August 23, 2013
Who analyzes the analyst? Brie Larson works out her own problems by helping troubled teens

Rep Diary: Cinema of Resistance

By David Gregory Lawson
August 22, 2013
Revolutionary films from yesterday and today

Review: The Student

By Jared Eisenstat
August 21, 2013
Unsentimental education: a primer on politics through student elections at a Buenos Aires university

Review: Old Cats

By Megan Ratner
August 19, 2013
Octogenarian stew: a dash of senility, plus-size felines, and a lifelong mother-daughter feud

Review: The World’s End

By Max Kyburz
August 15, 2013
Nostalgia-driven binge drinking isn't what it used to be—and neither is Wright, Pegg, and Frost's comedy