In my room: while the big-name titles were relatively modest, there was nothing small about more formally expansive films like Dry Ground Burning and Jet Lag
Light touches: this year’s slate was dotted with life-affirming standouts like Claire Denis’s Fire, Mikhaël Hers’s The Passengers of the Night, and more
Cross the breeze: as this year’s selection demonstrated, Rotterdam’s main competition slate stands as arguably the foremost platform for adventurous new talent on the international festival circuit
Catch the drift: though many films seemed to be chasing the success of Get Out, a number of excellent fiction features at this year’s festival played by their own rules
Sign up for the Film Comment Letter
Thoughtful, original film criticism delivered straight to your inbox each week.
