Interviews

Interview: Alex Ross Perry

By Nick Pinkerton

January 27, 2017

The things left unsaid: the director of Golden Exits discusses his family-centered drama and the joys of solitude

Voices: Neighboring Scenes

By Erin Delaney and Ela Bittencourt

January 27, 2017

Fair trade: discussions with the directors of Panamerican Machinery, El Limonero real, The Long Night of Francisco Sanctis, and Where I Grow Old

Interview: Slawomir Idziak

By Yonca Talu

January 27, 2017

Working relationships: the cinematographer who shot The Double Life of Véronique and Black Hawk Down discusses his collaborations with Kieślowski, Ridley Scott, and more

Interview: Eliza Hittman

By Violet Lucca

January 24, 2017

Summer loving, happened so fast: the director of Beach Rats and It Felt Like Love discusses representing sex and sexuality on screen

Interview: Anthony Dod Mantle

By Yonca Talu

January 20, 2017

Quick study: a cinematographer who’s worked with Lars von Trier, Danny Boyle, and Oliver Stone describes capturing the kinetic on film

Interview: Wolfgang Thaler

By Yonca Talu

January 13, 2017

It's (a) living: the man who shot Theeb, Workingman's Death, and Seidl's Paradise trilogy discusses nonverbal communication on-set and beekeeping

Interview: Vittorio Storaro

By Yonca Talu

January 6, 2017

Remain in light: the cinematographer of Apocalypse Now, The Last Emperor, and Café Society discusses the seventh art, and the other six, too

Directions: Bertrand Bonello

By Violet Lucca

January 3, 2017

In Bertrand Bonello’s terrorism drama Nocturama, radicals stalk Paris and take action

You Talkin’ to Me?

By Nick Pinkerton

January 3, 2017

Martin Scorsese wrestles with religious belief and philosophical inquiry in Silence, a work of stark cinematic power and moral vulnerability

Interview: Angela Schanelec

By Jordan Cronk

January 3, 2017

Time-space continuum: the director of bifurcated drama The Dreamed Path discusses the role poetry, books, and dogs play in her project of contingent enigmas