Portrait of the artist: Ruben Östlund’s The Square and Michel Hazanavicius’s Redoubtable sought to satirize the self-seriousness of the art and film worlds, respectively, with mixed success
If the spirit moves you: the director of Mimosas and star of The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers explains his Sufist method of filmmaking
Here comes everybody: on the national character studies in Andrea Arnold’s American Honey, Alain Guiraudie’s Staying Vertical, and Mehmet Can Mertoglu’s Album
