Film Comment

Out of time: the craft of capturing a holistic sense of the past

Our editors discuss the new issue and offer some insights into the work of the formidable filmmaking team

The best is yet to come: on the exciting changes to our editorial team

Pride and prejudice: the multitudes of films and perspectives in Film Society of Lincoln Center's historic series

Working-class hero: the charms of the star of The Measure of a Man, the mysteries of John Goodman, the work of Ryan Trecartin, and more

Batter up: our contributors discuss Linklater’s latest and their favorite sports movies

Nothing but the truth? Three programmers discuss this year’s lineup of nonfiction and experimental film (and everything in between)

On the actors and actresses we’d like to see have a comeback, be re-discovered, get a second wind, and so on

The director of My Golden Days and My Sex Life... or How I Got into an Argument talks about imagining a new life for his on-screen double and what makes Richard Curtis's films so irresistible

Our contributors debate the highlights of this year's lineup

How it happened: examining the strategies of Cemetery of Splendor, Mountains May Depart, Rabin, the Last Day, and Son of Saul—plus a special interview with the French icon

Over to you: readers give their candid reactions to the best (and the worst) films of 2015

The Last Word

Martin & Lewis: thoughts on directing, comedy, and showbiz from two total filmmakers

New York Times critic A.O. Scott discusses the ideas behind his new book (and a few he didn't get to)

A roundtable discussion of notable, underappreciated actors and performances from the silent era to today

A special live edition of our weekly discussion, focused on the work of Terence Davies and Andrzej Żuławski

Even film critics started small: a discussion around writing about film, as well as the writers and cultural trends that continue to influence our guests

Independent spirits: getting lost inside the unruly worlds of Hail, Caesar! and Eisenstein in Guanajuato

More than melodrama allows: a discussion of the director's approach to race and ethnicity in his Hollywood films